East Asian Studies
| Seeking an Alternative to the Universalism-Pluralism Binary: An Exploration of the Life and Work of Endo Shusaku, with an Emphasis on Silence |
Abstract
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|
Marro Inoue |
|
| The Hand-Scroll Images in Early Seventeenth-Century Chinese Paintings: A Music Historian Reading |
Abstract
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|
Peng Xu |
|
| Haunted by the Past: Kuroi Senji's "Time" |
Abstract
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Peter Tillack |
|
| Courtroom Drama with Chinese Characteristics: A Comparative Approach to Legal Process in Chinese Cinema |
Abstract
|
|
Stephen Joel McIntyre |
|
| Transformative Intellectuals of Chinese in the Deep South: A Study of Teachers' Responses to Students’ Motivation |
Abstract
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|
xiang zhang |
|
| Beyond Hypocrisy: Humanitarianism and Anxiety of Writing Agency in May Fourth Discourse of Literature |
Abstract
|
|
Makiko Mori |
|
| From Spirited Youth to Loyal Officials: Power, Life Narrative, and Didacticism in Jin shu |
Abstract
|
|
Matthew Wells |
|
| Xiaoqing Lore from the Seventeenth to Twentieth century in China and Japan |
Abstract
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|
Yu Zhang |
|
| From the Chrysanthemum Throne to the Porcelain Throne: Anglo-American Tourists and the Japanese Toilet |
Abstract
|
|
Gavin Campbell |
|
| Gender Identity in Farewell My Concubine |
Abstract
|
|
Shuqing Guo |
|
| Teaching Japanese Popular Culture |
Abstract
|
|
Yasue Kuwahara |
|
| Rethinking the Avant-garde and the Popular in Early Twentieth-Century East Asia |
Abstract
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|
liang luo |
|
| Words in Japanese Animation: How do they render “Anime Cool”? |
Abstract
|
|
Hiroko Chiba |
|
| S.I. Hsiung: A Forgotten Dramatist and the Politics of Intercultural Transmission |
Abstract
|
|
Weihong Du |
|
| This one was moved to SLA |
Abstract
|
|
Kyoko Tomikura |
|
| this submission was moved to SLA |
Abstract
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|
hongdan shen |
|
French and Francophone Studies
| Fictional Frontiers:The Interrelation of Fact and Fiction between the World and the Text. |
Abstract
|
|
Maureen Anne Ramsden |
|
| Romain Gary: L'écriture de partout et de nulle part |
Abstract
|
|
Tsira Svanadze |
|
| Questa o quella – Blanche and Gilda as Plot Points and the Lack of Unique Feminine Identity in Le roi s’amuse and Rigoletto |
Abstract
|
|
Matthew Higgins |
|
| Whose Veil is it Anyways? : Hijab, Niqab and Identity in Muslim Women in France |
Abstract
|
|
Adrianne Marie Barbo |
|
| Without Limits: French Poetry in the New Millenium |
Abstract
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|
Glenn W Fetzer |
|
| The existential anguish of Thérèse Raquin and Séverine Roubaud and how they commit Sartre’s mauvaise foi: An existentialist reading of Zola’s two novels Thérèse Raquin and La bête humaine |
Abstract
|
|
Peyton Hunter |
|
| Frenhofer's Aesthetics or Le but de l'art n'est pas le bout de pied |
Abstract
|
|
Kevin Bongiorni |
|
| Ethical Criticism vs. Aesthetic Criticism: Can Affect in Patrick Modiano’s La place de l’étoile Help Widen the Debate? |
Abstract
|
|
Charles F. O'Keefe |
|
| La symbolique de la nourriture dans "Les caves du Vatican" d’André Gide |
Abstract
|
|
Christine Armstrong |
|
| France’s Mission Civilisatrice Turned Inwards: Schooling and Colonization in Émilie Carles Une Soupe aux herbes sauvages and Gisèle Pineau’s L’Exil Selon Julia |
Abstract
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|
Lisa Connell |
|
| This is my abstract title |
Abstract
|
|
Betsy Dahms |
|
| Whose Veil is it Anyways? : Hijab, Niqab and Identity in Muslim Women in France |
Abstract
|
|
Adrianne Marie Barbo |
|
| “Cross-Cultural Transfers and Interactions: Gender, Class (and/or Race) in Charrière’s Novels” |
Abstract
|
|
Zoe Petropoulou |
|
| The new woman in Moknèche’s cinematographic trilogy |
Abstract
|
|
Sandrine Teixidor |
|
| Un métissage sans envergure, les conditions d’une libération : Le cas d’Albert Memmi |
Abstract
|
|
Jennifer Howell |
|
| Anglais: Assia Djebar’s narration La Femme sans Sepulture: Is the woman resistant an existentialist project or an incarnation of Derrida's differance ? |
Abstract
|
|
Anne Eugenie Haderbache |
|
| « Faire (de) l’histoire » : Authenticité et création de l’histoire dans L’Enfant de sable |
Abstract
|
|
Laure Bordas |
|
| The Creative Process in Francine D’Amour’s Pour de vrai, pour de faux |
Abstract
|
|
Heather A. West |
|
| Towards a 21st century “écoféminisme québécois”: Women and Nature in Proulx’ Champagne (2008) and Lise Tremblay’s La héronnière (2004) |
Abstract
|
|
Juliette M Rogers |
|
| Selling the Cure: Fostering Hypochondria in Parti Pris |
Abstract
|
|
Julie Robert |
|
| Territorial Narrative and Narrative Mapping in the Fiction of Gérard Bouchard |
Abstract
|
|
Jean Marie Turcotte Walls |
|
| Playing the Man: Parodic Speech and Masculinity in Sami Tchak’s Place des Fêtes and Philippe Camara’s Discopolis |
Abstract
|
|
Devin Bryson |
|
| Migrations/Narrations clandestines dans des œuvres postcoloniales maghrébines francophones |
Abstract
|
|
Taieb Berrada |
|
| L’œuvre de Yamina Benguigui, entre document social et fiction. |
Abstract
|
|
Evelyne Leffondre-Matthews |
|
| Enfance, innocence, choc des cultures, dualité culturelle et schizophrénie dans Georgette! de Farida Belghoul |
Abstract
|
|
Arnaud Brice Couturieux |
|
| Exporting Hope: Adapting the Haitian Classic Gouverneurs de la Rosée in New York, Havana, and 1980’s Port-au-Prince |
Abstract
|
|
Kathy Richman |
|
| Le Gouverneur de la rosée on Stage in a Newly Independent Senegal |
Abstract
|
|
Martha Walker |
|
| A Life Revised: Dany Laferrière's life writing |
Abstract
|
|
Lee Skallerup Bessette |
|
| The Aesthetics of Disaster in two Novels by Gisele Pineau |
Abstract
|
|
Laura J Loth |
|
| "Cherchant de toute son âme une porte": Narrating Trauma in Women's Writing from Haiti and Guadeloupe |
Abstract
|
|
Aletha Stahl |
|
| L’Afrique de Leiris : entre littérature et ethnologie |
Abstract
|
|
christophe ippolito |
|
| Proverbial Wolof Philosophy in Le Revenant by Aminata Sow Fall |
Abstract
|
|
Medoune Gueye |
|
| Un aperçu de la culture franco-louisianaise à travers « L’Habitation St-Ybars » d’Alfred Mercier |
Abstract
|
|
James J Natsis |
|
| Un curieux voyage au cœur du néo-réalisme belge : Eldorado (2008) de Bouli Lanners |
Abstract
|
|
Catherine Gaughan |
|
| Working Women and Modernity in 18th- and 19th-Century France and Britain |
Abstract
|
|
Kate Ann Jensen |
|
| Diversite, langue, identite. Miroir d'une experience: Julia Kristeva |
Abstract
|
|
Yulia D, Kovatcheva |
|
| Listening to the quotidien: Sounds and Silence of the City, the Rural, and Spaces in between |
Abstract
|
|
Claire Jones |
|
| Contingency, Irony, and Reality in Sartre's La Nausée |
Abstract
|
|
Philip A Nelson |
|
| Teaching colonization: Depictions of Africa in the French/German textbook Histoire/Geschichte |
Abstract
|
|
Colleen Beth Hays |
|
| “Eugénie de Guérin’s Journal: The Musings of an Ambivalent Romantic” |
Abstract
|
|
Jolene Jacobson Barjasteh |
|
| The Ideal Immigrant is a Child: Michou d’Auber and the Politics of Immigration in France |
Abstract
|
|
Nicole Beth Wallenbrock |
|
| Le Verfügbar aux Enfers, ou comment survivre à l’Histoire. |
Abstract
|
|
Olivia Prouvost-Allen |
|
| The Ties That Bind: Nadja, or le génie libre |
Abstract
|
|
Patricia Han |
|
| Welcome to Calais’ “Jungle Camp”: Immigration Laws and the Politics of Dehumanization |
Abstract
|
|
Imed Laidi |
|
| Jean Renoir's 'House of Mirrors' |
Abstract
|
|
Rachel Cook |
|
| Literary Pilgrimages and Poetic Reincarnations: Yourcenar’s Practice of World Literature |
Abstract
|
|
Joyce Janca-Aji |
|
| “Tales from the Convent: Georges Sand and Emma Bovary” |
Abstract
|
|
John T. Booker |
|
| The Place of Ethics in Literature: Beyond Heideggerian Mitsein in Simone de Beauvoir’s Le sang des autres |
Abstract
|
|
Ashley King Scheu |
|
| Modernist and Naturalist Hallucinogens: Progressive Degeneration in Zola’s La bête humaine and Baudelaire’s Les paradis artificiels |
Abstract
|
|
Forrest Maddux Blackbourn |
|
| Evolution of Antiessentialism in 20th century French literary theory |
Abstract
|
|
Shawn Gorman |
|
| Un argument cinématographique dans les débats sur la ville : Chacun cherche son chat |
Abstract
|
|
Anna Navrotskaya |
|
| Diderot and Marc-Antoine Eidous, Translators of Medical and Sexual Bodies in the Dictionary of Medicine and the Bijoux Indiscrets |
Abstract
|
|
Clorinda Donato |
|
| “Cross-Cultural Transfers and Interactions: Gender, Class (and/or Race) in Charrière’s Novels” |
Abstract
|
|
Zoe Petropoulou |
|
| Diderot and Marc-Antoine Eidous, Translators of Medical and Sexual Bodies in the Dictionary of Medicine and the Bijoux Indiscrets |
Abstract
|
|
Clorinda Donato |
|
| The Dolorist Journey in J.-K. Huysmans's Sainte Lydwine de Schiedam (1902) |
Abstract
|
|
Bob Ziegler, bob ziegler |
|
| "The Courtesan Between Men: Male Homosocial Bonds in La Dame aux Camélias." |
Abstract
|
|
Alistaire Tallent |
|
| "A Public Woman in the Modern City: Constance de Salm." |
Abstract
|
|
Lesley Walker |
|
| "'Not as Mere Work, but as Women's Work': Reading the Modern Poetess's Work in Elizabeth Barrett Browning's Aurora Leigh." |
Abstract
|
|
Helana Brigman |
|
| "The Working Woman, the Pressure of Commodification, and the Corruption of Language in Henry James's 'In the Cage.'" |
Abstract
|
|
Charles Hatten |
|
| "Not all Fun and Games: Women's Public Lives in Nineteenth-Century France." |
Abstract
|
|
Jennifer Popiel |
|
| Thérèse philosophe : le langage romanesque libérateur |
Abstract
|
|
Murielle Marie Perrier |
|
| “Foreign Language Learning and National Identity in 18th-Century France” |
Abstract
|
|
Nadine Solange Berenguier |
|
| “Diderot and d'Alembert's Encyclopedia: Translation and the Art of Defining |
Abstract
|
|
Marie-Pascale Pieretti |
|
| “Diderot and d'Alembert's Encyclopedia: Translation and the Art of Defining |
Abstract
|
|
Marie-Pascale Pieretti |
|
| “When the Monster Writes Back” |
Abstract
|
|
Paula K. Sato |
|
| Assimilation and Protest in Christian Discourse of the francophone Black Atlantic |
Abstract
|
|
Arthur Francis Carter |
|
| “Darkening the Divine, fashioning a ‘Black God:’ The prayer of Dutty Boukman Revisited |
Abstract
|
|
Celucien Joseph |
|
| Statistically Significant Social Factors for the Use of Banlieue Language (Verlan, argot, and immigrant languages Creole, Roma and Arabic) in the Northern Suburbs of Paris |
Abstract
|
|
Teresa Kent Todd |
|
| Berthe Kayitesi or Telling and Retelling the Genocide in Demain ma vie. |
Abstract
|
|
Rudy de Mattos |
|
| Daring to love: Representations of Love in Nadir Moknèche’s Viva Laldjérie and Laïla Marrakchi’s Marock |
Abstract
|
|
Christa Jones |
|
| Mothers of Intention: The Inventive Daughters of Catherine de Medici and Marguerite de Navarre |
Abstract
|
|
Lori A. Knox |
|
| Roland and the Latvian Appropriation of a French Myth |
Abstract
|
|
Oana Cimpean |
|
| Reconstituting Identity in Evelyne Le Garrec's La Rive allemande de ma mémoire |
Abstract
|
|
Kathy Comfort |
|
| Men in Skirts, New Amazons: Women Doctors in Colette Yver’s Princesses de science |
Abstract
|
|
Hope Christiansen |
|
| Dame de Sens, poésie mariale et littérature combinatoire |
Abstract
|
|
Vincent Corentin Robert-Nicoud |
|
| Wandering Women: Female Pilgrims in Search of Personal Transformation in Coline Serreau's Saint-Jacques...La Mecque |
Abstract
|
|
Lisa F Signori |
|
| La 'drive' en Martinique |
Abstract
|
|
Annie Bandy |
|
| Of Dogs, Scorprions and Visions: Non-Testimonial Accounts of Tazmamart |
Abstract
|
|
Erika Hess |
|
| "The Business of African Books: What Are They Reading in Dakar?" |
Abstract
|
|
Maria Snyder |
|
| From the Sisters of the Holy Family to Le Comité des Citoyens: The Phagocytized Black Catholic Protest Tradition in the Civil Rights Movement in the 19th Century |
Abstract
|
|
Alicia D. Nance |
|
| Of Magpies and Chambermaids, or, Translating French into French |
Abstract
|
|
KATIE CHENOWETH |
|
| The Decameron, the Canterbury Tales, and the Heptaméron: Three Frames for a Portrait of a Patient Wife |
Abstract
|
|
Antonio De Ridder-Vignone |
|
| Entre peste et déluge : Traduction et dissimulation dans l’Heptaméron de Marguerite de Navarre |
Abstract
|
|
Aaron Hutson |
|
| Dignité scénique et légitimité politique : les scénographies du corps monarchique chez Corneille et Racine (1660-1680) |
Abstract
|
|
Sylvaine Guyot |
|
| Plus olei quam vini ? Literary Mediation, Reason, and Myth in Renaissance Perceptions of Wine |
Abstract
|
|
Thomas Parker |
|
| Fruit and French cultural model or the 17th century French fashion for fruit gardens |
Abstract
|
|
Florent Quellier |
|
| “Forbidden Fruits: Dietetic Morality in La Condamnation de Banquet” |
Abstract
|
|
Timothy J. Tomasik |
|
| Melon: A History, 1583-1680 |
Abstract
|
|
Amy Wygant |
|
| Les fruits chez La Varenne Utilisation, Variétés et Réputation |
Abstract
|
|
Jocelyn Cadorette |
|
German: Zum 200. Todesjahr Heinrich von Kleists
| Versprützte Gehirne: Kleist's Pedagogy of the Fragment |
Abstract
|
|
Thomas Lornsen |
|
| Cerebral Trauma and the Crisis of Perception in Kleist’s Novellas |
Abstract
|
|
Lisa Beesley |
|
| ‚[…] jemand, den kein Mensch mit Augen sehen kann […].’ – The Metaphysics of the Uncanny and the Motive of Insanity in Heinrich von Kleist’s Das Bettelweib von Locarno |
Abstract
|
|
Florian Dominik Breitkopf |
|
| Criminality and Madness or the Power of Punishment: Reading Foucault and Althusser in Heinrich von Kleist's "St. Cecilia" |
Abstract
|
|
Holly Ann Yanacek |
|
| The Borders between Sinn, Unsinn and Wahnsinn in Kleist’s “Die Heilige Cäcilie oder die Gewalt der Musik (eine Legende)” |
Abstract
|
|
Malika Maskarinec |
|
| Of Mothers and Lovers: The Importance of the Mother-Daughter Relationship in Kleist’s "Penthesilea" |
Abstract
|
|
Elizabeth Anne Schreiber-Byers |
|
| ‘Ich will nichts wissen:’ Representations of the Body in Heinrich von Kleist |
Abstract
|
|
Nora M Peterson |
|
| Intertextuality in 18th-Century Disaster Discourse: A New Approach to Heinrich von Kleist’s “Erdbeben in Chili” |
Abstract
|
|
Christoph D. Weber |
|
| Violent Love – Kleist’s Penthesilea |
Abstract
|
|
Juliane Schicker |
|
| The Aristotelian and Kantian Concept of Time in ‘Prinz Friedrich von Homburg.’ |
Abstract
|
|
Bohdan Bochan |
|
| Religion and Violence in Kleist |
Abstract
|
|
James Rasmussen |
|
German: Transnational Writing in German
| Resurrecting the Ghosts of the Transatlantic Divide- Thomas Meinecke's exploration of forgotten German-American migrations |
Abstract
|
|
Tobias Mag |
|
| “Heimat ist das was gesprochen wird”: Discourses of Identity in Herta Müller’s 'Der Mensch ist ein grosser Fasan auf der Welt' |
Abstract
|
|
Michel Mallet |
|
| “Ich bin verliebt in die deutsche Sprache”: Anant Kumar mythicizing German? |
Abstract
|
|
Kirsten E. Kumpf Baele |
|
German: Writing Fear
| Elements of abjection and the banality of evil vis-à-vis punishment theory and social justice through the analysis of Dr. Mabuse |
Abstract
|
|
Amila Becirbegovic |
|
| Writing the Fear of (Becoming) the Other in Meyrink's Novel The Golem |
Abstract
|
|
Arnim Alex H. Seelig |
|
German: Language Pedagogy – Reading Literary Texts with Beginners
| A New Textbook for Teaching and Learning German Plays |
Abstract
|
|
Peter Yang |
|
| Goethe’s Der Erlkönig in First-semester German Classes |
Abstract
|
|
Christina Kellner |
|
| Developing Deeper Cultural Understanding and Critical Thinking through Poetry in Beginning Language Courses |
Abstract
|
|
Magdalena Tarnawska Senel |
|
German: 19th Century
| “Steingt sie! Steinigt sie!”: History, Agency and Violence in Kleist’s Das Erdbeben in Chili |
Abstract
|
|
Steven Howe |
|
| "Nietzsches Urteile über Lessing und die Verwandtschaft von Lessing und Nietzsche in philosophischer Fluktuanz". In English the title is: "Nietzsche's judgments of Lessing and the kindredship of Lessing and Nietzsche in philosophical Fluktuanz" ("Fluktuan |
Abstract
|
|
Reinhard G. Mueller |
|
| Social Critique in Annette von Droste-Hülshoff's Die Judenbuche |
Abstract
|
|
Ervin Malakaj |
|
| Caricaturing France: The "honnête homme" in Gotthold Ephraim Lessing's Drama "Minna von Barnhelm oder das Soldatenglück" |
Abstract
|
|
Claudia Janine Biester |
|
| The Rogue Artist: Goethe’s Concept of the Dilettante in the 1790s |
Abstract
|
|
Mary Le Gierse |
|
German: Graduate Student Panel
| Was soll der Chinese?: A Postcolonial Approach to the Chinaman in Effi Briest |
Abstract
|
|
Vanessa Plumly |
|
| “Ich mag Sie.”: Music and Violence as Manifestations of Sexuality and a Teacher-Pupil Relationship in Vier Minuten (2006) |
Abstract
|
|
Elizabeth Ellen Gordon |
|
| The Doppelganger and Form in Güney Dal’s Janitscharenmusik and Der enthaarte Affe |
Abstract
|
|
Daniel Kline |
|
| Homecoming: Reconciling with Heimat in Schneider’s Eduards Heimkehr |
Abstract
|
|
Marie Buesch |
|
| Franz Kafka’s Der Verschollene and American Discourses |
Abstract
|
|
Matthew James Sikarskie |
|
German: 20th Century to 1945
| Die unveröffentlichten Gedichte der Marte Brill (1894-1969): Leiden zwischen Lebenslust und Todessehnsucht |
Abstract
|
|
Reinhard Andress |
|
| Bald mit den Augen des Verstandes, bald mit den anderen….” Assessing “double vision” as a critical paradigm for reading Robert Musil’s Die Verwirrungen des Zöglings Törleß. |
Abstract
|
|
Brett Martz |
|
| Walking the Tightrope in Heterotopia: Circus Dichotomies in Art and Literature |
Abstract
|
|
Thyra Emily Knapp |
|
| “The Case of the Missing Detective Novels: Tracking Down a Tradition in the German-Speaking World (1900-1933).” |
Abstract
|
|
Julia Karolle-Berg |
|
| (Robot) Maria - The Uncanny in Fritz Lang's Metropolis |
Abstract
|
|
Petra Anni Watzke |
|
| Dorothy Thompson and Helmuth James von Moltke: “The Strangest Talk” |
Abstract
|
|
Donald Robert Sunnen |
|
| The Multideterminism of Gregor Samsa’s Metamorphosis: Reading Franz Kafka’s Die Verwandlung through Freudian Psychoanalysis |
Abstract
|
|
Christopher Paul Graves |
|
| Arresting the Dialectic of Redemption: Jünger’s Revision of the Kracauerean Figuration of the Mass as Ornament |
Abstract
|
|
Jerome Bolton I |
|
| Translations of `Culture' and `Civilization' and European Power Politics |
Abstract
|
|
Sin Kwan Cheng |
|
| “Ich mag Sie.”: Music and Violence as Manifestations of Sexuality and a Teacher-Pupil Relationship in Vier Minuten (2006) |
Abstract
|
|
Elizabeth Ellen Gordon |
|
German: 20th Century after 1945
| Guenter Grass's Autopbiographical Trilogy |
Abstract
|
|
Richard Schade |
|
| Auf der Suche nach Glück in Ingo Schulzes: 33 Augenblicke des Glücks |
Abstract
|
|
Berit Jany |
|
| “Use your right to repent!” - Fatih Akin and the Process of Spatial Becoming |
Abstract
|
|
Ljudmila Bilkic |
|
| Re-enchanting Berlin: The Intersection of Modernity and Myth in Tanja Dückers’s Spielzone |
Abstract
|
|
Kai-Uwe Werbeck |
|
| Josef Winkler’s Austria from the Outside Looking In |
Abstract
|
|
Carola Daffner |
|
| The Coalescence of Beauty and Violence in Uwe Timm’s Rot |
Abstract
|
|
Gary Lee Baker |
|
| ’Dahinein fuhr der Schlag’: Fate, Illness, Love, and the Quest for Positionality |
Abstract
|
|
Sonja Ellen Klocke |
|
| What if She Called for Revolution and Nobody Came? Ilse Aichinger’s "Aufruf zum Mistrauen" as Political and Artistic Manifesto |
Abstract
|
|
Elizabeth Anne Schreiber-Byers |
|
| Gyrating Around the Void. Different Modes of Perception in Recent German Short Stories on Japan |
Abstract
|
|
Gabriele Eichmanns |
|
| The Science Novel in Nanodiscourse: The Case of Der Lotus Effekt: Roman über Nanoteilchen in der biomedizinischen Forschung. |
Abstract
|
|
Paul A. Youngman |
|
| Faster Than a Speeding Arrow: Herzog's Celebration of White Omnipotence |
Abstract
Untitled ()
|
|
Will Lehman |
|
| “Nur der Erzähler konnte sich retten:” Fairytales, Storytelling and the Postcolonial Imaginary in Dieter Kühn’s Und der Sultan von Oman |
Abstract
|
|
Alex Fulk |
|
| Director Leander Haußmann and the Transformation of the German Comedy of the Nineties, 1998 - 2009 |
Abstract
|
|
Paul Gebhardt |
|
| “Who says what is […] always tells a story.” Narrative in Arendt’s Theoretical Writing |
Abstract
|
|
Ingo Kieslich |
|
| Widerfahrnis und Widerstand – Großstadterfahrung im erzählerischen Werk W. G. Sebalds |
Abstract
|
|
Doris McGonagill |
|
| Autobiography and Erinnerungsbuch: The Question of Genre in Assessing Günter Grass’s Beim Häuten der Zwiebel |
Abstract
|
|
Timothy B. Malchow |
|
| Reconciling Existenz Philosophy and the Political Realm: Reconsidering Karl Jaspers’s Conceptualization of Guilt and Morality in "Die Schuldfrage" |
Abstract
|
|
Tobias Mag |
|
| Heinrich Böll: Cigarette Lit |
Abstract
|
|
Ken Keffer |
|
| Following the Reader - Writing in a Digital Media Setting |
Abstract
|
|
Michael Hochholdinger |
|
Hispanic Linguistics
| [+Result] Device As a Key Cognitive Element for Interpreting the Syntactic Mechanism of Spanish Di-transitivity |
Abstract
|
|
Zhiyuan Chen |
|
| COMPLEX VERB NOUN PREDICATES IN SPANISH |
Abstract
|
|
Hans Joerg Busch |
|
| Seseo, ceceo y distinción en el habla andaluza: ¿variación libre o variación sociolingüística? |
Abstract
|
|
Carmen Ruiz-Sanchez |
|
| ¡Siga con esa confiancita y ya verá! The Use of Diminutives in Three Varieties of Colombian Spanish |
Abstract
|
|
Monica Millan |
|
| Shunko: el discurso lingüístico en una novela de formación (Bildungsroman) |
Abstract
|
|
Gerardo Augusto Lorenzino |
|
| “That’s definitely a gringo “r”: An analysis of responses given in a foreign accent ratings task |
Abstract
|
|
Valerie J. Trujillo |
|
| GRAMMAR MEETS IDENTITY: PRONOUN USAGE IN LOS ANGELES-SALVADORAN SPANISH |
Abstract
|
|
Chase W Raymond |
|
| Crossing Linguistic Borders? Linguistic Change in Dominican Spanish |
Abstract
|
|
María José Cabrera-Puche |
|
| Language Contact and Possessive Structures in Andean Spanish |
Abstract
|
|
Maria Luz Valdez |
|
| Deliberating the H1N1 Epidemic in Mexico |
Abstract
|
|
Mariadelaluz Matus-Mendoza |
|
| Contact or inheritance? Diagnosing the causes of dialect formation in 18th-century northern New Spain. |
Abstract
|
|
Israel Sanz Sanchez |
|
| El deterioro del Español de España: ¿Realidad o ficción? |
Abstract
|
|
Isabel Alvarez |
|
| Linguistic Landscape in Spain: The use of the English signs in Spain. |
Abstract
|
|
Elizabeth Ann Martinez-Gibson |
|
| Spanish Differential Object Marking: Individuation and Relative Topicality |
Abstract
|
|
Ian Tippets |
|
| Alonso de León’s expedition diaries: A snapshot of late 17th century Spanish in Northern Mexico and Texas |
Abstract
|
|
Lola Orellano Norris |
|
| Why is it so difficult to do what you say? Language maintenance attitudes versus behaviors |
Abstract
|
|
Laura Guglani |
|
| Variaciones lingüísticas en la aldea global: testimonios de dos migrantes latinoamericanos en EEUU |
Abstract
|
|
Claudia A Arteaga |
|
| THE ACQUISITION ORDER OF COMPLEX ONSETS IN SPANISH |
Abstract
|
|
Rafael Nuñez-Cedeño |
|
| Sobre los pronombres reflexivos y el “se télico” |
Abstract
|
|
Francesco D'Introno |
|
| SPANISH DIALECTS IN US CLASSROOMS: A SOCIOLINGUITIC STUDY |
Abstract
|
|
Rosemary Weston |
|
| On rule generalization and word-final /r/ in Hispano-Romance |
Abstract
|
|
Kenneth J. Wireback |
|
| Is Ease of Articulation Too Easy? |
Abstract
|
|
Matthew L. Juge |
|
| On Exceptions to the Geminating Effect of Post-Tonic w in Italian |
Abstract
|
|
Mark J. Elson |
|
| La historia de muncho/ mucho en español |
Abstract
|
|
Enrique Pato Maldonado |
|
| The History of the Prefixes des- and es- in Hispano-Romance |
Abstract
|
|
David A. Pharies |
|
| The Linguistic Production of an Alfonsine Scribe |
Abstract
|
|
Donald Tuten |
|
| Editing the Residencia de Vázquez de Coronado (1544) |
Abstract
|
|
Cynthia Kauffeld |
|
| The ‘Probanza de méritos’ of Vicente de Zaldívar: A Linguistic Analysis of Part 3 (1602) |
Abstract
|
|
Sonia Kania |
|
| Menendez Pidal’s Origenes del español and the Origins of Spanish: Some New Perspectives |
Abstract
|
|
Steven Hess |
|
| Keniston’s chronology revisited: auxiliary variation in Spanish iterative periphrases |
Abstract
|
|
Natalya I. Stolova |
|
| Hemos de considerar que tenemos algo que considerar: A corpus-based analysis of verbal periphrases of obligation in Old and Early Modern Spanish |
Abstract
|
|
David Korfhagen |
|
| Participios truncos: the grammaticalization of Old Spanish participles. |
Abstract
|
|
Jason Doroga |
|
| La perífrasis incoativa en castellano medieval: su origen, uso y pérdida |
Abstract
|
|
Fernando Tejedo-Herrero |
|
| Subject pronoun expression according to verb tense in Old French, Old Spanish and Modern Spanish |
Abstract
|
|
Diana L. Ranson |
|
| Análisis sintáctico semántico de la a personal en el iberorromance (siglos XI-XIII) |
Abstract
|
|
Omar Velázquez |
|
| A Cognitive Semantic approach to the analysis of the lexeme ‘to wake’ in the history of the Spanish language |
Abstract
|
|
Marisa Carpenter |
|
| Murder, suicide, and benign neglect of minor(ity) Romance languages: Is it partly our fault? |
Abstract
|
|
Thomas Cravens |
|
| This one was moved to Span Pen |
Abstract
|
|
Agustín Cuadrado |
|
| Creole Linguistics: Latest advances and Interface with Hispanic Linguistics |
Abstract
|
|
Armin Schwegler |
|
Spanish Peninsular Studies
| José Tamayo, Cultural Ambassador in the Americas |
Abstract
|
|
Carey Kasten |
|
| ¿Guerra o juego?: retórica lúdica y beligerente en “Aita Tettauen” de Benito Pérez Galdós |
Abstract
|
|
Iulia Sprinceana |
|
| Torrente: El brazo tonto de la ley (1998) y la implosión del macho ibérico |
Abstract
|
|
Juli Caceres Garcia |
|
| El drama Egilona de Gertrudis Gómez de Avellaneda y la péridad de España |
Abstract
|
|
Alexander Tarnawsky Selimov |
|
| Loss, Structure and Identity in Ignacio Martínez de Pisón’s El tiempo de las mujeres |
Abstract
|
|
Tamara Lamb Bjelland |
|
| Rebelión, Revolución, y Reformación Coloniales: La influencia de Burke en El Español de Blanco White |
Abstract
|
|
Lunden Eschelle MacDonald |
|
| COMUNICACIÓN FRACTURADA: CINE, INMIGRACIÓN Y LENGUAGE |
Abstract
|
|
Cristina Martínez-Carazo |
|
| Sobre la composición y comunicación primaria de la poesía en cuaderna vía del siglo XIII |
Abstract
|
|
Pablo Ancos |
|
| “’Othering’ Enlightenment: New World Subjectivities in 18th Century Spanish Literature” |
Abstract
|
|
Thomas Cassidy Neal |
|
| Migrar para contarlo. Memorias, relatos y diálogos de la España emigrante e inmigrante. |
Abstract
|
|
Luis Moreno-Caballud |
|
| The Pícaro as an Illness within the Social Body of Early Modern Spain |
Abstract
|
|
Brian Phillips |
|
| The sources of the Alfonsine retelling of Bernardo del Carpio |
Abstract
|
|
Katherine Perry Oswald |
|
| El lenguaje en La Edad de Oro: Historia de una separación. |
Abstract
|
|
Luis Gonzalez Barrios |
|
| Con España en el corazón: la poética de Antonio Machado antes y durante la guerra civil |
Abstract
|
|
Nelson Danilo Leon |
|
| Negotiating the Collective Memory in Word and Image |
Abstract
|
|
Katie Ozzie Stafford |
|
| The Performance of Victory: Madrid, 19 May 1939 |
Abstract
|
|
Nil Santianez |
|
| The didactic function of satire and humanistic discourse in Diálogo de Mercurio y Carón |
Abstract
|
|
Casey Robert Eriksen |
|
| The Mozarabic Jarchas: Uses and Abuses of Semitic Characters in Mozarabic Writings |
Abstract
|
|
Katharine German |
|
| Not just another damn novel (or photograph) about the Spanish Civil War |
Abstract
|
|
Ofelia Ferrán |
|
| Viva las Vegas!: uso del espacio urbano en la narrativa de la generación nocilla. |
Abstract
|
|
Antonio Miguel Martin-Ledesma |
|
| Extranjería y poéticas críticas en la España contemporánea |
Abstract
|
|
Benito del Pliego |
|
| (Re)visitando las protagonistas de Unamuno |
Abstract
|
|
Ruben Rodriguez-Jimenez |
|
| Nuevas voces, nuevas miradas: el cine español de migración |
Abstract
|
|
Carmen Moreno-Nuño |
|
| Paths to 'Interculturalidad': Basel Ramsis' El otro lado: un acercamiento a Lavapies |
Abstract
|
|
Yeon-Soo Kim |
|
| Webs, Filters, Hubs, and the Resuscitation of Literature: Metaphors of Technology in Vila-Matas’s El mal de montano |
Abstract
|
|
Ben Arenger |
|
| A Romantic Mismatch: the Aesthetics and Ethics of El estudiante de Salamanca |
Abstract
|
|
Robert Fritz |
|
| Modeling the Modern Woman: A Study of "Modelos de mujer" |
Abstract
|
|
Gillian Barbara Price |
|
| Escritura hacia lo desconocido: ritmo, deseo y otredad en la poesia de Angel Crespo |
Abstract
|
|
linda metzler |
|
| Almodóvar a contracorriente: estética y sujeto político |
Abstract
|
|
Carlos Javier García |
|
| Law and Lawlessness in "Los Infortunios de Alonso Ramirez" |
Abstract
|
|
Alison Stewart |
|
| Más allá de los límites de la expresión: la obra tardía de Federico García Lorca |
Abstract
|
|
Patricia Fitzpatrick |
|
| Warlordism and the Meaning of "Campeador" |
Abstract
|
|
Michael P Harney |
|
| Érase de nuevo una princesa: Globalización y Feminismo en Yo soy la Juani (2006) de Bigas Luna |
Abstract
|
|
Maria Garcia Puente |
|
| Del silencio de la voz a la voz náufraga: la poética del lamento de Selomoth Ibn Gabirol |
Abstract
|
|
ISIDORO AREN JANEIRO |
|
| Émulo, fámulo, gárrulo, clic: un poeta en la corte de Rodríguez Zapatero |
Abstract
|
|
Antonio Candau |
|
| Is the Personal Still Political?: The Blogosphere and Consumer Participation in *Diario de Martín Lobo* |
Abstract
|
|
Molly L Palmer |
|
| Naufragios lingüísticos e imaginarios en las Soledades de Góngora. |
Abstract
|
|
Elena Rodriguez-Guridi |
|
| Manuel Machado y El mal poema (1909): Del “modernismo canalla” a la Gran Vía |
Abstract
|
|
Pedro Jose Vizoso |
|
| Nadie conoce a nadie: The Destruction of Seville and the Devil on the Loose |
Abstract
|
|
Eugenia R Romero |
|
| Planos psicológico y temporal del yo: entrecruzamiento en Palabras en el muro de Ramón Hernández. |
Abstract
|
|
Mabel Ramirez |
|
| La República de las mil caras: cultura y nación de 1931 a la España de las autonomías. |
Abstract
|
|
Luis Pascual Cordero Sanchez |
|
| Invasion, Exile, and Longing: Duque de Rivas’s “El desterrado” and Florinda (1824-1825) |
Abstract
|
|
Christine Leigh Blackshaw |
|
| Literatura infantil de vanguardia |
Abstract
|
|
Eduardo Gregori |
|
| La modernidad histérica: Vislumbres de una filosofía vitalista en La hiperestésica de Ramón Gómez de la Serna |
Abstract
|
|
Rebecca M Bender |
|
| La novela de vanguardia trasatlántica que nunca llegó. La discusión hispánica sobre el Ulises de Joyce en el periodo de entreguerras. |
Abstract
|
|
Andrés Pérez-Simón |
|
| Vanguardia contra vanguardia |
Abstract
|
|
Juan Herrero-Senés |
|
| El canto del ruiseñor mecánico: La imagen del mundo mecanizado en los poemas de Vicente Huidobro y en el cubismo plástico (1916-1921) |
Abstract
|
|
Katie Vater |
|
| Recasting Gender: The Refundición of No hay cosa como callar |
Abstract
|
|
Kathleen Costales |
|
| Simbiosis estética en El público y Poeta en Nueva York: búsqueda de una nueva definición de surrealismo en las obras de Federico García Lorca. |
Abstract
|
|
Luis Trigueros-Ramos y López |
|
| El paisaje como construcción de la nación en relato " El carbonero alcalde" de Pedro Antonio Alarcon |
Abstract
|
|
Mikel Arza |
|
| To the Victor Goes the Spoils: The Presence of the Demeter/Persephone Myth in Ana María Moix’s Julia. |
Abstract
|
|
Julia Barnes |
|
| Cuando la nación se (re)crea |
Abstract
|
|
Susana P Liso |
|
| " Desire and the Uncanny (Im)materiality of Language: The Unsettling Poetry of Juan Eduardo Cirlot." |
Abstract
|
|
Gary Lee Atwood |
|
| Una reflexión sobre la herencia vasca a través de la memoria femenina en El cuaderno rojo |
Abstract
|
|
Esther Sanchez-Couto |
|
| Tuberculosis and the upper classes: the case of a señorita cursi in Un viaje de novios by Emilia Pardo Bazán |
Abstract
|
|
Anne Wyly Gilfoil |
|
| Mourning and Allegory in Spain during the Early 1980s: Victor Erice’s El sur |
Abstract
|
|
Miaowei Weng |
|
| Exploring Joaquín Dicenta’s Aurora, an Allegorical Representation of “las dos Españas” |
Abstract
|
|
Leticia McGrath |
|
| El sacrificio personal en la poesía de la guerra civil española |
Abstract
|
|
Juan De Urda |
|
| Poetic Vision and (In)visible Pain in Antonio Méndez Rubio’s Trasluz |
Abstract
|
|
Paul Cahill |
|
| Orientalismo e identidad en la guerra de África (1859-1860) |
Abstract
|
|
monica fuertes-arboix |
|
| Nueva literatura Z: amputaciones ontológicas y políticas migrantes en el imaginario pos fordista español (2002-2010) |
Abstract
|
|
Victor Manuel Pueyo |
|
| La rescritura de los personajes femeninos en los dramas cidianos posrománticos. |
Abstract
|
|
Jorge Aviles-Diz |
|
| La pervivencia de un género: Del costumbrismo decimonónico al televisivo contemporáneo |
Abstract
|
|
Alicia Cerezo |
|
| José Fajardo and the Perpetual Decadence of the Spanish Nation in Benito Pérez Galdós’s Fourth Series of Episodios Nacionales |
Abstract
|
|
Mary Kempen |
|
| Els altres catalans: A Literary Portrait of Barcelona’s Immigrant Community |
Abstract
|
|
Andrew J. Deiser |
|
| Contracultura española del siglo XXI: Despertar a la realidad a través de la ficción |
Abstract
|
|
edurne portela |
|
| “Hacia una emancipación del espectáculo: Contracultura y novela en el siglo XXI.” |
Abstract
|
|
Palmar Alvarez-Blanco |
|
| “Dinero y Educación para la ciudadanía: La subversión de la imagen en las viñetas de Miguel Brieva” |
Abstract
|
|
Steven L. Torres |
|
| WOMANLY WEAKNESS IN THE TRAVEL BOOKS OF GREGORIO MARTINEZ SIERRA (MARÍA LEJÁRRAGA), CARMEN DE BURGOS Y EMILIA PARDO BAZÁN |
Abstract
|
|
Esther Antonio Daganzo-Cantens |
|
| Carne fresca: Reading the Corpse in Contemporary Spanish Crime Fiction |
Abstract
|
|
Renee Craig-Odders |
|
| Mediating Moralities of Immigration in Black, black, black (2010) by Marta Sanz |
Abstract
|
|
Shanna Lino |
|
| Miguel de Cervantes y Pedro de Valencia: Una denuncia de los autos de fe en el Coloquio de los perros |
Abstract
|
|
Francisco Benito Garcia-Rubio |
|
| Framing women: representations of women in the Spanish framed tale tradition |
Abstract
|
|
Alessia Dalsant |
|
| “Exégesis de la creación de Eva en ‘Cuento primitivo’ de Emilia Pardo Bazán” |
Abstract
|
|
Efrain E Garza |
|
| The Sexualization of Africa: The "Other" in Contemporary Spanish Texts |
Abstract
|
|
Victoria Louise Ketz |
|
| Dramatizing Berceo |
Abstract
|
|
R Terry Mount |
|
| “Sentimentalidad, música y espacio nacional: La heterogeneidad (sub)cultural de Manuel Vázquez Montalbán” |
Abstract
|
|
Raquel Anido |
|
| El canon indie en la narrativa española del siglo XXI |
Abstract
|
|
Pablo R. Balbontin |
|
| A los que nada vean en su fondo: Nothingness, Godly Absence, and the Angst of Modernity in Bequer's Leyendas |
Abstract
|
|
Sarah Witte |
|
| “Los frutos de la ceniza”: María Zambrano y José Ferrater Mora ante la debacle europea. |
Abstract
|
|
Luis Martín-Estudillo |
|
| Feminine Identity in the Contemporary Equatorial Guinean Novel: El llanto de la perra by Guillermina Mekuy |
Abstract
|
|
Nicole D Price |
|
| Exegetic Dissonance in Canelo's Dulce nadie (2008) |
Abstract
|
|
Sharon Kay Pritchett |
|
| Negociaciones textuales del fracaso ante el Islam: la pérdida de La Goleta escrita desde el cautiverio |
Abstract
|
|
Ana Maria Rodriguez-Rodriguez |
|
| Mothering Others: Matricide, Infanticide and Alicia Giménez Bartlett's *Nido vacío* |
Abstract
|
|
Nina L Molinaro |
|
| Profaned Bodies: Death, Detection, and Betrayal in Martín Solares's Los minutos negros |
Abstract
|
|
Marcie L Paul |
|
| "The Search for Beauty in the Early Poetry of Juan Ramon Jimenez" |
Abstract
|
|
John E. Cerkey |
|
| “Laberinto de círculos viciosos”: crítico y actor en los artículos de Larra |
Abstract
|
|
Ramon Enrique Espejo-Saavedra |
|
| They’ll Pluck Your Eyes Out: The Role of Girls in Spanish Film from the 70s and 80s |
Abstract
|
|
Amy Lynn Tibbitts |
|
| “De pinos y robles: paisaje y ecocrítica en la poesía de Rosalía de Castro” |
Abstract
|
|
Carmen Pereira |
|
| Modernidad, nacionalidad y libido finisecular: Unamuno y Ganivet |
Abstract
|
|
Carlos Barriuso |
|
| Sex and Marriage in the Patrañuelo |
Abstract
|
|
Sean McDaniel |
|
| Detecting Spanish Identity in the Cases of Francisco García Pavón’s Plinio |
Abstract
|
|
Kalen Royce Oswald |
|
| Fantasía histórica e historia fantástica: Historia del Rey Transparente de Rosa Montero |
Abstract
|
|
Kristin Routt |
|
| Jerusalem, Spain, and the Trans-Mediterranean Politics of Place in Antonio de Aranda’s Verdadera información de la Tierra Santa (1537) |
Abstract
|
|
Chad Leahy |
|
| An Alien Anthropologist in Barcelona, or, Spanish for Extraterrestrials: Eduardo Mendoza’s *Sin noticias de Gurb* |
Abstract
|
|
Daniel R. Walker |
|
| “¿[E]sta señora es cristiana o mora?”: Performing Gender, Race, and Religion in the Works of Cervantes |
Abstract
|
|
Christi Garst-Santos |
|
| The City as Corpse in the Detective Novels of Ramón Díaz Eterovic |
Abstract
|
|
Shalisa M. Collins |
|
| Borrowed Glory: 19th Century Spanish Physicians and their Imitation of Cervantine Literary Style |
Abstract
|
|
Ryan A. Davis |
|
| The Goddess in "Don Quijote": Matriarchy in Patriarchal Times |
Abstract
|
|
Timothy Ambrose |
|
| Stepping Back from Orientalism in José Díaz Fernández’s El blocao (1928) |
Abstract
|
|
David W Bird |
|
| La conexión (Astur)leonesa en los discursos críticos de la poesía española actual. |
Abstract
|
|
Andres Simonelli Fisher |
|
| Sorcery and Subversion: Morisco Women in Salas Barbadillo's La hija de Celestina |
Abstract
|
|
Bradford Ellis |
|
| Sor Isabel de Villena: the Evangelist, the Virgin, and the Queen |
Abstract
|
|
Mary Baldridge |
|
| La hibridez genérica de 'Andanzas y Visiones españolas' (1920): un libro de viaje poético |
Abstract
|
|
Maria Ángeles Saiz |
|
| Dos textos de la literatura fundacional del exilio republicano español en Chile. |
Abstract
|
|
Natalia Pelaz-Escribano |
|
| Una aproximación crítica a la lectura de Doña Berta de Leopoldo Alas “Clarín” |
Abstract
|
|
VANESSA RODRIGUEZ DE LA VEGA |
|
| Todas vírgenes: sexualidad femenina en el primer franquismo |
Abstract
|
|
Beatriz Celaya Carrillo |
|
| Sombría carcajada del destino: an Ecological Reading of Luis Martín-Santos |
Abstract
|
|
John Trevathan |
|
| Dys/Eu-phemisms: From Pornography to Eroticism in Eighteenth Century Spanish Poetry |
Abstract
|
|
Elena Deanda |
|
| El cuadro de "Doña Berta": fetichismo e identidad, una aproximación marxista y psicoanalítica a la obra de "Clarín" |
Abstract
|
|
Gonzalo Calvo-Larraya, Gonzalo Calvo-Larraya |
|
| Trascendencia mitológica de la figura femenina en la literatura medieval española |
Abstract
|
|
Patricia Tatiana Anderson |
|
| Antonio Machado's "La saeta" and Miguel Hernández's "Nanas de la cebolla": cultural transformation of poetry by Serrat. |
Abstract
|
|
Fátima Fajardo-Pastor |
|
| Juan Madrid’s Cartographic Imaginary |
Abstract
|
|
Malcolm Alan Compitello |
|
| “Valor, agravio y mujer and the Spoils of Empire in Decline” |
Abstract
|
|
Margaret M Olsen |
|
| “Identidad y resistencia en la España del Siglo XIX: El barberillo de Lavapiés de Francisco Barbieri” |
Abstract
|
|
George Yuri Porras |
|
| “La imagen de España en Gigantes y cabezudos (1898) de Miguel Echegaray” |
Abstract
|
|
Nieves Pujalte Castello |
|
| The Ethics of Reading and Writing: Textual Wounds and Personal Trauma in Two Versions of Lorca's Suites. |
Abstract
|
|
Zachary Kirkpatrick |
|
| Infernal Forests: Lorca’s Descent into Hell in the Lunar Grapefruit poems. |
Abstract
|
|
Bridgett Blanchard |
|
| Editing trauma in Federico García Lorca’s “Palimpsestos.” |
Abstract
|
|
Jeremy J. Kasten |
|
| Variaciones músico-literarias sobre tema lorquiano. Estructura formal y disidencia sexual en “Seis canciones de anochecer.” |
Abstract
|
|
Gonzalo Gallardo |
|
| "Informants, Participants, and Presenters: Narrative Structures in Some Galician Stories by Emilia Pardo Bazán." |
Abstract
|
|
Francisca González-Arias |
|
| "Reading the Unnaratable in Pardo Bazán´s ´La argolla´" |
Abstract
|
|
Linda M. Willem |
|
| Significado político de la conversión ideológica en "Rojo y negro" |
Abstract
|
|
M. Elena Aldea Agudo |
|
| "Narrative Ambiguity and the Dynamics of Marriage" |
Abstract
|
|
Maryellen Bieder |
|
| Doña Jimena in the Cid’s Mocedades |
Abstract
|
|
Matthew Bailey |
|
| (La gran) Familia y moralidad: del franquismo a la democracia |
Abstract
|
|
Agustín Cuadrado |
|
| Celebrating the Brides of Christ: Convent Epithalamia in the Works of Sor Violante del Cielo, Sor Marcela de San Félix, and Ana Abarca de Bolea |
Abstract
|
|
George Antony Thomas |
|
| "La catedral del mar: violencia sexual en la economía de las prestaciones corporales del régimen de servidumbre" |
Abstract
|
|
Olga Rivera |
|
| "La mirada subversiva femenina en el filme 'La petición' de Pilar Miró" |
Abstract
|
|
Javier Venturi |
|
| La repetición en Corazón tan blanco: ¿Forma de instalar una ética? |
Abstract
|
|
Maria Sergia Steen |
|
| On the Globalization of Francoism: Repressed History, Sado-Masochist Masculinity and Atlantic Melodrama. (Torrente and All about My Mother). |
Abstract
|
|
joseba gabilondo |
|
| Reading the national image in architecture: A study of the monument to Cervantes |
Abstract
|
|
Lauren Klos |
|
| Orejas, narices y pies: estudio fisiognómico del Arcipreste |
Abstract
|
|
Conxita Domenech |
|
| Structuring Worlds: Embodied Cognition and Discovering Reality in Buero Vallejo’s En la ardiente oscuridad |
Abstract
|
|
Steven E Mills |
|
| La voz femenina en libertad: El discurso masculino reconfigurado por mujeres |
Abstract
|
|
Rubi Ugofsky-Mendez |
|
| Feminizing the Canaries: Gender, Cosmography, and Conquest in Lope de Vega's "Comedia famosa de los guanches de Tenerife y conquista de Canaria." |
Abstract
|
|
Javier Lorenzo |
|
| 'Amor' in the Conde Lucanor: Relationships of Power and Trust |
Abstract
|
|
David Burton |
|
| The Poetics of Fulfillment: The Personal, Sacramental and Heroic in St. John of the Cross' 'Cántico espiritual' |
Abstract
|
|
Anthony F Butler |
|
| La re-apropiación paródica de la historiografía española contemporánea: Una lectura queer de Recóndita armonía |
Abstract
|
|
Maria Y Moreno-Florido |
|
| The macho ibérico in the Realm of Global Politics: José María Aznar’s Post-francoist Performance of Masculinity. |
Abstract
|
|
Ana M Vivancos |
|
| Poetics of Migration in Spain: _Um Draiga_ (2007) and the Voices of Contemporary Saharaui Poetry |
Abstract
|
|
Debra Faszer-McMahon |
|
| "Ezlekuak [No-Places] (2007): Basque Sounds of Urban Alienation" |
Abstract
|
|
Benjamin Fraser |
|
| Copyleft y la muerte del autor: el plagio como recurso literario |
Abstract
|
|
Heike Scharm |
|
| Berceo's Milagros and his Latin Source |
Abstract
|
|
Annette Grant Cash |
|
| El tema existencial en el teatro de Unamuno: El otro y El hermano Juan |
Abstract
|
|
Tanya Farnung |
|
| Drogas, adolescentes y familia: La prevención contra las drogas en la literatura juvenil española |
Abstract
|
|
Jorge González de Pozo |
|
| Nuevas aportaciones a "Ensayo de un crimen" de Luis Bunuel. |
Abstract
|
|
Carlos Jerez-Farran |
|
| Checkmate: Chess, Strategy, and the Baroque Gifting Game in Lope de Vega's La Dorotea |
Abstract
|
|
Jennifer E. Barlow |
|
| “The Roaming Phantoms of Lavapiés in Lucía Etxebarria’s Cosmofobia” |
Abstract
|
|
Lennie Coleman |
|
| El tiempo en La Celestina: el deseo, el placer y el egoísmo como motivos de interpretación de la obra |
Abstract
|
|
Diana Galarreta |
|
| Caminando en la experiencia: el don de la vista y el voyeur ciego en de Benito Pérez Galdós |
Abstract
|
|
Heidi Backes |
|
| La vida como una construcción social en "Niebla" |
Abstract
|
|
Mariana Segovia |
|
| Who is Carmen Laforet?: Una mujer en fuga |
Abstract
|
|
Mark P. Del Mastro |
|
| La isla de la simpatía o el nuevo testamento según Juan Ramón Jiménez: Puerto Rico en el imaginario colectivo de la Generación del 27. |
Abstract
|
|
Irune del Rio Gabiola |
|
| Disarming Prince Charming |
Abstract
|
|
Lynn Chloia Purkey |
|
| Francisco Rivero Gil: Aleluyas de la defensa de Euskadi |
Abstract
|
|
Donna Ann Southard |
|
| ¡Divorciémonos, mi amor! ¡Verás qué divertido! |
Abstract
|
|
Villamil-Acera Rakhel |
|
| Dimensiones sociales del lenguaje de Trotaconventos y la mora en el Libro de buen amor |
Abstract
|
|
Carrie L. Ruiz |
|
| Alonso de Contreras’s Discurso de mi vida: Honor and Masculinity of a Mediterranean ‘Pícaro’ |
Abstract
|
|
Jennifer Heacock-Renaud |
|
| “Caciquismo, regeneración y esperanza en Los Bravos” |
Abstract
|
|
Antonio Parrilla-Recuero |
|
| Francisco Umbral y la movida madrileña: Entre la memoria y la posmodernidad. |
Abstract
|
|
Manuel Pinto Barragán |
|
| Post-Catholic Spain: Religion in the Contemporary Spanish Novel |
Abstract
|
|
nathan e richardson |
|
| Variaciones y paradojas: Hispanidad y homoerotismo en el exilio mexicano de Luis Cernuda |
Abstract
|
|
Enrique Alvarez |
|
| Illegal Immigration to the United States from Latin America: A Discussion of History, Policy, and Recent Documentaries |
Abstract
|
|
Brian James Cope |
|
| Amancio Peratoner’s Los peligros del amor: Sexological Literature and Pederasty in Nineteenth-Century Spanish Discourse |
Abstract
|
|
Mehl Allan Penrose |
|
| Cuerpos abortados: exilio y trauma en Señas de identidad de Juan Goytisolo |
Abstract
|
|
Valeria Fedonkina |
|
| Idleness and Honorable Professions: Valladares de Sotomayor’s El vinatero de Madrid (1783) |
Abstract
|
|
Kristie Bulleit Niemeier |
|
| “Perdemos los tipos, pero el hombre se nos revela mejor”: Repetition, Character, and the Visual Arts in Galdós’s Misericordia |
Abstract
|
|
Curtis Wasson |
|
| The Mojiganga: An Interpretation |
Abstract
|
|
Tania de Miguel Magro |
|
| Nietzschean Optimism in Lorca II |
Abstract
|
|
Michael A. Gomez |
|
| “¿Esta Señora es cristiana o mora?” Zoraida y Ana Félix: Dos Historias de Otredad en Don Quijote |
Abstract
|
|
Idoia Martinez del Mozo |
|
| La narración como parodia de “cuaderno de Bitácora” y el significado de “sujeto” en El último trayecto de Horacio Dos (2002) de Eduardo Mendoza |
Abstract
|
|
Agustin Martinez-Samos |
|
| “Mapping the Working Female Body in the City: The Shopgirl and the Department Store” |
Abstract
|
|
Mar Soria, Mar Soria |
|
| Music as metaphor in the early poetry of Jaime Siles |
Abstract
|
|
Cecile West-Settle |
|
| Narrating the Spanish Nation: The Dismantlement of Francoist Nationalism in Luis Martín-Santos’s Tiempo de Silencio |
Abstract
|
|
Diógenes Costa Currás |
|
| Reescribiendo la identidad del otro en Urraca de Lourdes Ortiz |
Abstract
|
|
Dayana Soto y Caballero de Galicia |
|
| Fuente Obejuna: una aldea, un microcosmos |
Abstract
|
|
Santiago García-Castañón |
|
| Hagiographic Reformulation, Distinction and Symbolic Capital in Francisco de Quevedo: the Epitome of Saint Thomas of Villanova |
Abstract
|
|
German De Patricio |
|
| Inmigantes, por favor, no nos dejéis solos con los españoles. Accionismo cultural, hiphop y la ciudadanía que viene en la España actual |
Abstract
|
|
Germán Labrador Méndez |
|
| Doubt and Decadence: Questioning the Existence of the Vanguardia |
Abstract
|
|
Anna Eva Hiller |
|
| ¿Discapacitados emocionales? Los límites del horror en la Trilogía del mal, de Ricardo Menéndez Salmón |
Abstract
|
|
Maria Lujan Stasevicius |
|
| "YouTube" y la poesía de Santa Teresa de Jesús |
Abstract
|
|
Josefina C. Lopez |
|
| Más allá del género: Carmen de Burgos, modernidad y clases sociales |
Abstract
|
|
Carmen Arranz |
|
| ¿Es posible regresar a España? En busca de una ubicación para la literatura de los exilios de la postguerra española en la nación contemporánea |
Abstract
|
|
Isabel Alvarez Sancho |
|
| La huella lírica de Ana María Fagundo |
Abstract
|
|
marina martin |
|
| Profaned Bodies: Death, Detection, and Betrayal in Martín Solares’s Los minutos negros |
Abstract
|
|
Marcie L Paul |
|
| Las atrocidades de la Guerra de la Independencia en Cataluna: El poema de Letamendi y la lucha por Figueres |
Abstract
|
|
Gregorio C. Martin |
|
| Who is Carmen Laforet?: Una mujer en fuga |
Abstract
|
|
Linda B Bartlett, Mark Del Mastro |
|
| España y su representación en las novelas de Donato Ndongo-Bidyogo |
Abstract
|
|
Olga Arbelaez |
|
Spanish American Studies
| Combating the "Platano Curtain:" Resistance and the Other in Junot Diaz's The Brief Wondrous Life of Oscar Wao |
Abstract
|
|
Ana Charell Baez |
|
| Sampling Science Fiction: Digital Aesthetics and Nueva Narrativa Weird |
Abstract
|
|
J. Andrew Brown |
|
| Sexualizing the Nation: Miguel de Carrión and the Cuban Republic |
Abstract
|
|
James J Pancrazio |
|
| “Juana Paula Manso and Mary Tyler Peabody Mann: Women Educating Women in the Americas, and the Men Behind Them” |
Abstract
|
|
Claire Emilie Martin |
|
| “Representación satírica de los blasones en Gran Señor y rajadiablos” |
Abstract
|
|
Luis Hermosilla |
|
| Evocar y revocar el recuerdo: Demasiados Héroes de Laura Restrepo |
Abstract
|
|
Angela M Gonzalez-Echeverry |
|
| “El libro de arena” (1975), “El jardín de senderos que se bifurcan” (1941) y la proto-hipertextualidad en la narrativa moderna latinoamericana |
Abstract
|
|
Eduardo Acuna-Zumbado |
|
| “Esta nueva blogoesfera: Los textos electrónicos, el cánon y la relevancia de la crítica literaria." |
Abstract
|
|
Raquel Patricia Chiquillo |
|
| La participación de los afro-uruguayos en la política nacional entre 1930-1945 |
Abstract
|
|
María Cristina Burgueño |
|
| El poder, la violencia y la heterogeneidad ideológica vistos en El tungsteno de César Vallejo |
Abstract
|
|
Jason Lee Pettigrew |
|
| “Los romances de la pasión de Jesucristo en la tradición oral costarricense.” |
Abstract
|
|
Henry Cohen |
|
| Memorias del subdesarrollo: Entre Pello el Afrokán y Antonio Vivaldi |
Abstract
|
|
Rafael E Saumell |
|
| Rosas/Roca: Reflexiones sobre el roquismo en las novelas históricas de Eduardo Gutiérrez |
Abstract
|
|
Gisela Salas-Carrillo |
|
| Attacking Conventions: Melodrama and Narrative Collapse in La mendiga by César Aira |
Abstract
|
|
Matthew Bush |
|
| Breaking the Silence: Literary Resistance in Alicia Gaspar de Alba's Desert Blood |
Abstract
|
|
Megan L Thornton |
|
| Filmar lo contundente: Lucrecia Martel and La Ciénaga (2001) |
Abstract
|
|
JP Spicer-Escalante |
|
| El Symbolo Catholico Indiano de Luis Jerónimo de Oré (1598) y los Comentarios Reales del Inca Garcilaso de la Vega (1609): estudio de algunas relaciones |
Abstract
|
|
Xavier PELLO |
|
| "On Two Storytellers of the Latin American Boom: Vargas Llosa's El pez en el agua and García Márquez's Vivir para contarla" |
Abstract
|
|
cesar guillermo ferreira |
|
| Niños Ejemplares in Cuba’s Novísima Trova: Frank Delgado and the Innocence of Youth |
Abstract
|
|
Robert Nasatir |
|
| Feminicide in Ciudad Juárez: Representation of women in Gaspar de Alba’s ¨Desert Blood¨ and Gregory Nava’s ¨Bordertown¨ |
Abstract
|
|
Raul Dionicio Gutierrez |
|
| The Magical in the Virtual Reality in Edmundo Paz Soldán’s Turing’s Delirium |
Abstract
|
|
Henry James Morello |
|
| "Anatomy of the Detective Genre in Roberto Bolaño's Poetry" |
Abstract
|
|
J. Agustín Pastén B. |
|
| "El "nuevo erotismo" como reflexión estética del amor en Mario Vargas Llosa." |
Abstract
|
|
German Carrillo |
|
| "Alucinaciones Latinoamericanas: Sobre poesía y embriaguez." |
Abstract
|
|
francisco leal |
|
| "Las tijeras son tu chimba, Rosario Tijeras": El mito de la vagina dentata en Rosario Tijeras de Jorge Franco |
Abstract
|
|
Evelyn Galindo-Doucette |
|
| El latín como instrumento de poder en el Virreinato del Perú |
Abstract
|
|
Angela Helmer |
|
| El ocio como mecanismo de promoción estamental en la Vida y hechos del famoso caballero don Catrín de la Fachenda de José Joaquín Fernández de Lizardi |
Abstract
|
|
Wilfrido Suarez |
|
| Elementos indígenas en el teatro novohispano en México |
Abstract
|
|
Armando Galicia-Silva |
|
| El viento armado de Michèle Najlis: Hacia una ética de la revolución sandinista |
Abstract
|
|
José María Mantero |
|
| La memoria de la violencia en El secreto de sus ojos |
Abstract
|
|
Susana Maiztegui |
|
| La recuperación histórica de Antioquia en Terrateniente de Rocío Vélez de Piedrahita |
Abstract
|
|
Jaime A. Orrego |
|
| Why Does She Follow Him? A Historical and Literary Approach to Regina's Rape in La muerte de Artemio Cruz |
Abstract
|
|
Allison J. Libbey |
|
| Miradas transnacionales y el corresponsal finisecular hispanoamericano |
Abstract
|
|
Julia M. Medina |
|
| “Servidora o servida: la inscripción del cuerpo incorrecto Isabel Luberza Oppenheimer en Nuestra Señora de la noche" |
Abstract
|
|
Paloma Fernandez Sanchez |
|
| “Dos siglos de independencia, Yolombó y su marquesa: antípodas de la noción exclusivista de los estudios nortransatlánticos” |
Abstract
|
|
Arturo Ortiz |
|
| Once Upon a Time… There Was a Rude, Loud, Foul-Mouthed Princess or the Carnivalesque-Grotesque in Carlota Joaquina: Princesa do Brasil |
Abstract
|
|
Silvia María Roca-Martínez |
|
| The abused subjet: a representation of gender |
Abstract
|
|
Marta Boris, Marta Boris, Marta Boris |
|
| El tema de la identidad y el logro de la economía expresiva en Los cachorros (1967), una nouvelle de Mario Vargas Llosa |
Abstract
|
|
Jose Cardona-Lopez |
|
| Doña Bárbara de Rómulo Gallegos: monstruos femeninos, mitos masculinos |
Abstract
|
|
Silvia Ruiz-Tresgallo |
|
| Provincializing Europe: Ignacio Padilla's Amphitryon, Detective Fiction, and the Final Solution |
Abstract
|
|
Michael Mosier |
|
| Traducción, colonización y la diferencia cultural en el Popol Vuh |
Abstract
|
|
Christopher Michael Coleman |
|
| Narrativa de globalización y la somatización de poder a través del cuerpo. |
Abstract
|
|
Yanire Marquez |
|
| Gender Identity and Representation in Gonzalo Torrente Ballester’s _Javier Mariño_ |
Abstract
|
|
Jared Patten |
|
| Removing the (Black) Mask: The Failure of Masculinity in the Latin American Novela negra |
Abstract
|
|
Jaimie Adkins |
|
| Crimen sin castigo (hacia un mapa del género negro en la Venezuela del siglo XXI) |
Abstract
|
|
Antonio M Isea |
|
| El ‘hombre nuevo’ nuevo: memoria, escritura y resurrección en Cuba mediante la novela negra de Leonardo Padura Fuentes |
Abstract
|
|
Teresa Ann Parmer |
|
| La prisión de los recuerdos: Conversaciones con Aurelia de Daniel Torres. |
Abstract
|
|
Enrique A. Giordano, Enrique A. Giordano |
|
| Macho, Macho Woman: The Evolution of Gender Roles in Allende’s The House of the Spirits |
Abstract
|
|
Erin Leigh Etheridge |
|
| Octavio Paz's Árbol adentro: Tree or Rhizome? |
Abstract
|
|
Kathryn Taylor Bowers |
|
| Un colaborador inesperado de la violencia: La sociedad civil argentina |
Abstract
|
|
Corinne Pubill |
|
| The U.S.- Mexican Border in Atlanta: The Global as Local |
Abstract
|
|
Vialla Hartfield-Mendez |
|
| Trauma and Memory in Roberto Bolaño's Estrella Distante |
Abstract
|
|
Melissa Doran |
|
| Las representaciones de Lima y Quito en el poema heroico Vida de Santa Rosa (1711) |
Abstract
|
|
Lizy Moromisato |
|
| Historical Journeys in the Night: The Influence of the Pre-Columbian in "El arbol" by Elena Garro |
Abstract
|
|
Alannah Ari Hernandez |
|
| European science and the development of Science Fiction in Latin American Literature: the influence of Leopoldo Lugones’ “Las fuerzas extrañas” |
Abstract
|
|
Senen Carlo |
|
| New Spaces, Old Sexualities: Immigration and Female Prostitution in Two Peruvian Narratives |
Abstract
|
|
Lorena Cuya Gavilano |
|
| The theme of pretenders: Vegigantes de Francisco Arriví |
Abstract
|
|
Koji Nishida |
|
| Two Mexican-American Artists: Willibald de Cabrera and Juan Jr. Ramírez |
Abstract
|
|
Jose Patricio Arce |
|
| Performing Desire: Sexuality and Exploitation in Laura Restrepo’s La novia oscura |
Abstract
|
|
Rebecca Whitehead-Schwarz |
|
| El cartel de los sapos: enfermedad, cuerpo y nación |
Abstract
|
|
Mauricio Duarte |
|
| Paco Ignacio Taibo in the Borders of Detective Fiction |
Abstract
|
|
Miguel Rivera |
|
| A Classy Lady: Identity Politics in 'Diablo Guardian' |
Abstract
|
|
Cristobal Garza Gonzalez |
|
| “Political Instruments: Charango-gate, the Escopetarra and the Wall” |
Abstract
|
|
Robert A Neustadt |
|
| "Memory, Language, and Culture in Rubén Palma's The Trail We Leave" |
Abstract
|
|
Kristina Langston Bonsager |
|
| La imagen de una mujer: un estudio de género en Mujeres de ojos grandes |
Abstract
|
|
Jennifer Colón |
|
| Dueling Justices: the Unraveling of Ideal in Borges’ “Emma Zunz” |
Abstract
|
|
Elizabeth McDyer |
|
| Lo cotidiano en El material humano, de Rodrigo Rey Rosa |
Abstract
|
|
Ligia Bezerra |
|
| Para proteger a la Iglesia: Periódicos Católicos para mujeres vistos como textos fundacionales |
Abstract
|
|
Adriana Marisela Pacheco-Roldan |
|
| Hoy es noticia, luego se relata: semiosis de lo real en 41 de Rogelio Guedea |
Abstract
|
|
Peter G. Broad |
|
| Salsa “no es lo mismo” en la Ciudad de México: Exploring (Re)-Performance through the Body, Repetition and Mimicry in the Live Performance. |
Abstract
|
|
Christina Baker |
|
| Autoridad y cosmopolitanismo: las cartas nunca envidas de Bárbara Jacobs |
Abstract
|
|
Brenda Lydia Lake |
|
| Masking Despair in the Strip Club: An Analysis of "Vinetas Revolucionarias" by Rosina Conde |
Abstract
|
|
Victoria Jeanne Martinez |
|
| Gay or Queer?: Sexual Identity and Desire in Ernesto Schoo’s El placer desbocado |
Abstract
|
|
Herbert J. Brant |
|
| Jorge Luis Borges Performing the Interview |
Abstract
|
|
Cody C. Hanson |
|
| Representations of Bodily Control in Griselda Gambaro’s El campo, La que sigue and La malasangre |
Abstract
|
|
Ashley Elizabeth Kerr |
|
| La memoria traumática en la narrativa de Roberto Bolaño |
Abstract
|
|
Yasmina A Vallejos |
|
| Descentralizando el género sexual en la nación puertorriqueña: Cuando era puertorriqueña, de Esmeralda Santiago. |
Abstract
|
|
Lissette Socorro Ruiz |
|
| “José Lezama Lima as Queer Theorist” |
Abstract
|
|
Kristie Soares |
|
| La arbitrariedad como sistema organizador en Yo el supremo |
Abstract
|
|
Patricia G Montenegro |
|
| Puerto Rican Diaspora: West to East with a Northern Star |
Abstract
|
|
MARTA G CRUZ-CONCEPCION |
|
| ¿Qué pasó con el cambio? Joskowicz, una perspectiva fílmica de la masacre de Tlatelolco |
Abstract
|
|
Itza A. Zavala-Garrett |
|
| César Brie and La Odisea: Globalization Repeats from Greece to Bolivia |
Abstract
|
|
Tara A. Daly |
|
| Incendiary Politics: Perspective and Narration in Sergio Bianchi’s Cronicamente Inviável |
Abstract
|
|
Anne Marie Stachura |
|
| (Des)erotización del sujeto femenino esclavizado en la narrativa caribeña contemporánea. |
Abstract
|
|
Patricia Valladares-Ruiz |
|
| Los nudos blancos: The Creation and Transmission of Memory in Ricardo Piglia's La ciudad ausente |
Abstract
|
|
Paul M McNeil |
|
| “Entre dos sensibilidades: Discutiendo con Juan Rulfo los límites de la autoridad del autor” |
Abstract
|
|
Chet Halka |
|
| Rewriting the Nation: Lanza y sable at the Crossroads of Eduardo Acevedo Díaz |
Abstract
|
|
Camille J. Sutton |
|
| Hunger’s Scream: Tracing Voice in Marcos Jorge’s "Estômago" |
Abstract
|
|
David Francis |
|
| "Género, violencia y memoria en la literatura testimonial del Cono Sur." |
Abstract
|
|
karin davidovich whitehouse |
|
| Palmas y azucenas: resistencia y censura en la obra de Alejandro Tapia y Rivera |
Abstract
|
|
Juan C. Lopez |
|
| The pirate as (possible) heathen: The function of the pirate in Soledad Acosta de Samper’s Los piratas de Cartagena |
Abstract
|
|
Natalie Jane McManus |
|
| Espacios represivos y poderes de subversión en la novela Al filo del agua (1947), de Agustín Yáñez |
Abstract
|
|
Sofia Calzada Orihuela |
|
| U.S. Racial Violence Viewed Through a Tricontinental Lens: The African-American Postcolonial Subject in Santiago Álvarez's Now |
Abstract
|
|
Anne Garland Mahler |
|
| submitted under Paulk |
Abstract
|
|
Julia C. Paulk |
|
| please delete |
|
|
connie j green |
|
| submitted under Marín Cepeda |
Abstract
|
|
Patricia Marín Cepeda |
|
| submitted under Medellín |
Abstract
|
|
Milton Medellín |
|
| submitted under Herrera-Ospina |
Abstract
|
|
Nidia Herrera-Ospina |
|
| submitted under Gómez-Sobrino |
Abstract
|
|
Isabel Gómez-Sobrino |
|
| Submitted under Buitrago Quiroga |
Abstract
|
|
Lía Buitrago Quiroga |
|
| PANEL PROPOSAL: La colonia en América: Lengua, literatura, evangelización y sociedad en los virreinatos de Nueva España y Perú |
Abstract
|
|
Angela Helmer |
|
| Nada elemental, mi querido Watson: Investigaciones sobre la novela negra en Latinoamérica |
Abstract
|
|
Ligia Bezerra |
|
| “Juanita Versus Cecilia: Cuban Slavery in Anglo and Latin American Literature” |
Abstract
|
|
Julia C Paulk |
|
| “Ficciones contrafundacionales: La renuncia del héroe Baltasar de Rodríguez Juliá y Fe en disfraz de Santos-Febres” |
Abstract
|
|
Patricia Marín Cepeda |
|
| El símbolo de la epifanía en El reino de este mundo de Alejo Carpentier |
Abstract
|
|
Milton Medellín |
|
| Análisis de las estructuras discursivas de las relaciones de poder en El Otro Francisco y en La última cena. |
Abstract
|
|
Lía Buitrago Quiroga |
|
| Los negros catedráticos: negación del sujeto negro desde la parodia y el discurso. |
Abstract
|
|
Nidia Herrera-Ospina |
|
| Consumerism as catalyst of agency and regulator of social relations in Recursos Humanos. |
Abstract
|
|
Diogo Mulder |
|
| Without Justice, There Can Be No Love: Juan José Campanella’s El secreto de sus ojos |
Abstract
|
|
Stephanie Michelle Pridgeon |
|
| La raza en la América Colonial: Perspectivas de un indio ladino y de un mestizo |
Abstract
|
|
Brenda Becerra-Anderson |
|
| Racializing Space and Embodying Crisis in Maria Amparo Ruiz de Burton's Who Would Have Thought It? |
Abstract
|
|
Catalina Perez Abreu |
|
| The Intersection of Race and Gender in Clorinda Matto de Turner’s Hima-Sumac |
Abstract
|
|
Andrea Meador Smith |
|
| Ilustración, testimonio e ideología en Cartas chilenas |
Abstract
|
|
Felipe De Oliveira Fiuza |
|
| Imaginando el mundo femenino: el eco-feminismo en “Europa: puerto sin mar” de Carmen Boullosa |
Abstract
|
|
Janice Renee North |
|
| El rol femenino en la guerra civil salvadoreña, una perspectiva a través de la novela de Nidia Díaz Nunca estuve sola. |
Abstract
|
|
Carlos C. Amaya |
|
| “Sabotaging Patriarchy: Chicana Saintly Designs in Ana Castillo’s So Far From God” |
Abstract
|
|
Bryan Pearce-Gonzales |
|
| Performance and Narrative in Diamela Eltit’s Puño y letra |
Abstract
|
|
Juliet Lynd |
|
| La correspondencia de la creación poética y musical en “Al silencio” de Gonzalo Rojas. |
Abstract
|
|
Marianella Perpetua Machado |
|
| More than Just an Obsesión: Bachata Music as a Reflection of Dominican Social Identity |
Abstract
|
|
Patricia Reagan |
|
| La modernidad barroca de Sor Juana a través del Primero sueño |
Abstract
|
|
Javier I Mocarquer |
|
| “Raza universal, cultura y revolución (la oda al CHE) por medio de la literatura poética de Nicolás Guillén: Una exploración de la obra revolucionaria (pre y posguerra)” |
Abstract
|
|
Christopher M. Baumunk |
|
| Roberto Parra’s “La Negra Ester:” Post-dictatorial Speech, Melodrama, and the Chilean Transition to Democracy |
Abstract
|
|
Lucas Izquierdo |
|
| “Cronos: The Decomposition and Recomposition of the Hybrid” |
Abstract
|
|
Gerardo Tonatiuh Cummings |
|
| Usca Paucar: tranculturación del tema mariano en la cosmovisión andina barroca. |
Abstract
|
|
Alvaro Torres-Calderón |
|
| Transgresión y resistencia en Madeinusa/Transgression and Resistence in Madeinusa |
Abstract
|
|
Gloria Galindo |
|
| Narrative Credibility, Myths, and Bourgeois Cinema: The Case of Kilómetro 31 |
Abstract
|
|
Charles St. George |
|
| Fragmented bodies in the Poetry of Delmira Agustini and Alfonsina Storni:A plurality of Meanings |
Abstract
|
|
Barbara Blithe Ware |
|
| Sex, Sharks and Tequila: The Anxiety of a Mexican Tourist Economy in René Cardona Jr.’s TINTORERA |
Abstract
|
|
Kerry T. Hegarty |
|
| De vampiros transilvanos y machos mexicanos: un vistazo a la historieta de superhéroes de finales del siglo XX |
Abstract
|
|
Gustavo Rodriguez-Moran |
|
| The Apotheosis of Huidobro’s Altazor and the Quest for the Divine Word |
Abstract
|
|
Christopher Oechler |
|
| “El tiempo es ahorita”: Malverde entre el corrido, el hip-hop y las reivindicaciones políticas transfronterizas |
Abstract
|
|
Jungwon Park, Rafael Ponce-Cordero |
|
| Transgressive Inscriptions of Female Desire: The Mis-Citation of Gender Norms and Sexuality in Delmira Agustini’s Los cálices vacíos (1913) |
Abstract
|
|
Lauren Applegate |
|
| Reflections on the Unnameable in Sin Nombre: Toward an Understanding of Mexico’s Palimpsestic Politics |
Abstract
|
|
Giselle Vitaliti, Karen Frazier |
|
| Relato y discurso: Binomio que define lo fantástico en “La salud de los enfermos” y “El otro cielo” de Cortázar. |
Abstract
|
|
Jailer de Jesus Sanchez-Madrigal |
|
| Rewriting the Conquest: Naufragios, Infortunios, and the Transformation of Spanish Exemplarity |
Abstract
|
|
Matthew JK Hill |
|
| Borges on oblivion |
Abstract
|
|
Christina Karaegorgou-Bastea |
|
| El alter ego-satánico en la obra de los surrealistas y los Contemporáneos |
Abstract
|
|
Silvia Alvarez-Olarra |
|
| Iconos y arte: cuerpos muertos y cuerpos mediatizados. |
Abstract
|
|
María Gabriela Muniz |
|
| Reconciliation and Recreation: Literary Syncretism in the Testimonio |
Abstract
|
|
Anne Guarnera |
|
| Posthumous Voices and Gothic Echoes in Horacio Quiroga’s “Más allá” and Santiago Dabove’s “Ser polvo” |
Abstract
|
|
Jose Jyoti Alvarez |
|
| La raza como elemento satírico burlesco en la poesía colonial peruana |
Abstract
|
|
Felix S. Vasquez |
|
| First Steps towards Ethical Commitment and towards a View of the (New) World: Hernán Pérez de Oliva’s Dramatic Works |
Abstract
|
|
Elena Pellús Pérez |
|
| Cartucho: Bearing Witness to Trauma in Post-Revolutionary Mexico |
Abstract
|
|
Mario Bahena |
|
| La Manuela Rosas de José Mármol: Una resolución al conflicto dicotómico entre federales y unitarios |
Abstract
|
|
Kristin Naomi Rock |
|
| Disposability and Death in Nona Fernández’s Vision of Santiago in Mapocho (2002) |
Abstract
|
|
Katherine Karr-Cornejo |
|
| FORGING A POETIC CANON: THE WORK OF JOSÉ DOMINGO CORTÉS AND THE DEBATES ON THE FOUNDATION OF A NATIONAL LITERATURE IN CHILE |
Abstract
|
|
Marcos Campillo-Fenoll |
|
| El dialogo de la poesía femenina con el patriarcado en Para un cordero blanco de Reina María Rodríguez |
Abstract
|
|
Alicia Zoe Miklos |
|
| Delirio gótico: El espectro femenino en la novela Santa Evita de Tomás Eloy Martínez |
Abstract
|
|
Armando Cerpa |
|
| Negociando un espacio en la historia y en la cultura nacional en la narrativa de Gómez de Avellaneda, Manso, Gorriti y Matto de Turner |
Abstract
|
|
Maria Cecilia Saenz-Roby |
|
| Maldito amor: ¿Escritura femenina? |
Abstract
|
|
Jerusa Carvajal |
|
| Visualización de imágenes en blanco y negro y color en Pedro Páramo |
Abstract
|
|
Marlene Camacho-Ochoa |
|
| Jóvenes de la “escena oscura”. Cine y contracultura gótica |
Abstract
|
|
Nadina Estefania Olmedo |
|
| In the Mirror: Rosario Ferré and the Transgendered Polyphemous |
Abstract
|
|
Rose Marie Brougham |
|
| Los espirales del poder y el placer en El matadero (1841) de Esteban Echeverría |
Abstract
|
|
Clara Mengolini |
|
| Jose Restrepo Jaramillo: A Writer's Struggle to be Modern |
Abstract
|
|
connie jean green |
|
| Cuerpo y sangre en la cuentística ecuatoriana |
Abstract
|
|
Rut Roman |
|
| La narración idiota en Mundo animal de Antonio di Benedetto |
Abstract
|
|
Dolores Lima |
|
| La alteridad radical del migrante: liberación moral, lingüística y estética en El niño pez de Lucía Puenzo |
Abstract
|
|
Carina Gonzalez |
|
| Alteridad y síntoma en la película "O invasor" de Beto Brant |
Abstract
|
|
Álvaro Baquero-Pecino |
|
| El sacrificio expiatorio de Silvina: violencia fundacional en La Charca de Manuel Zeno Gandía. |
Abstract
|
|
Alonso Varo Varo |
|
| Los viajes en Sab de Gertrudis Gómez de Avellaneda: una alegoría de ejemplo abolicionista. |
Abstract
|
|
Isabel Gómez-Sobrino |
|
| Of espacios fronterizos: Crossing and Recrossing Borders |
Abstract
|
|
Santiago Vaquera-Vásquez |
|
| César Vallejo: Creating a Space |
Abstract
|
|
Vanessa Alix Ramos |
|
| The Uses of Food in Paradiso and La guaracha del Macho Camacho: The Question of Intellectual and Artistic Fertility |
Abstract
|
|
Alison Heather Atkins |
|
| Tres novelas peruanas sobre el conflicto: La hora azul, Radio Ciudad perdida y Un lugar llamado Oreja de perro. |
Abstract
|
|
Ezio Neyra |
|
| “El policial autobiográfico en Mi madre, Yiya Murano de Martín Murano” |
Abstract
|
|
Osvaldo Di Paolo |
|
| Anatomía de un proceso judicial: Juan María Bordaberry, memoria, justicia e historia |
Abstract
|
|
María Rosa Olivera-Williams |
|
| Memories of Empire: The Imaginary Afterlife of Fascist Spain in Guillermo del Toro’s El laberinto del fauno |
Abstract
|
|
Stacey Triplette |
|
| Memoria histórica: modelo para armar en la obra “Esa extraña forma de pasión” de Susana Torres Molina |
Abstract
|
|
Eduardo Cabrera |
|
| abstract withdrawn |
Abstract
|
|
Wilfredo Hernández |
|
| Film at a Time of Forgetfulness (Part II): Argentina’s “The Aerial” - A Cautionary Tale of Silence and Sound |
Abstract
|
|
Kenya C. Dworkin |
|
| Cine en tiempos de desmemoria (Parte I): “La antena” como ejemplo innovador tercer cine |
Abstract
|
|
Alicia Covarrubias |
|
| Contra viento y marea / Against the Wind and the Tide, Latin American twentieth century avant-garde and Mario Vargas Llosa ( Arequipa 1936-- ) on fact and fiction in South America |
Abstract
|
|
Klaus Müller-Bergh |
|
| La máscara en el espejo: el discurso transgresor de la mujer afrocubana en el teatro cubano |
Abstract
|
|
Marcelo Fajardo-Cardenas |
|
| En defensa del idioma como parte de la identidad puertorriqueña: “Injértese en nuestro lenguaje el inglés; pero el tronco ha de ser el de español” |
Abstract
|
|
Lisa Figueroa Parker |
|
| Los personajes de las islas caribeñas en Sirena Selena vestida de pena |
Abstract
|
|
Leonel Glees |
|
| La reconstrucción de la subjetividad femenina en el contexto de la violencia: en torno a El leopardo al sol de Laura Restrepo |
Abstract
|
|
Mara Borges |
|
| Cuentos y relatos del Pacífico Sur: La resistencia y la de(s)colonialidad construidas desde la "Ciudad Real" |
Abstract
|
|
Andrew M. Ray |
|
| Central American Women Writers of Afro-Caribbean Ancestry: A Literature of Engagement |
Abstract
|
|
Dawn Duke |
|
| Desconstruyendo esteriotipo y estableciendo nuevas imágenes de Xica da Silva en la novela Rei Branco, Rainha Negra de Paulo Amador |
Abstract
|
|
Luciana Prestes Bean |
|
| “Aniquilando armonías en el ‘mundo sin violencias:’ Un estudio de dualidades y demonios coloniales en Cosecha de Huesos por Edwidge Danticat” |
Abstract
|
|
Janelle Coleman |
|
| Antonio Preciado and the Imaginative Recreations of Place, Identity and Nation: A Pluricultural Concept |
Abstract
|
|
Rebecca Howes |
|
| Heretics and Whores: Deviant Spiritualities and Sexualities in Films by Luis Buñuel and Arturo Ripstein |
Abstract
|
|
Caryn Cathlene Connelly |
|
| El indígena y su problemática en El misterio de San Andrés de Dante Liano |
Abstract
|
|
Olivia Elizabeth Amaya |
|
| De la ausencia a la presencia: exilio y transformación en el sujeto femenino en Las zonas del dolor/Zones of Pain de Marjorie Agosin. |
Abstract
|
|
José F. Bañuelos-Montes |
|
| Contesting the Boundaries of America in Stephen Soderbergh's Che |
Abstract
|
|
Angeli Leal |
|
| La máscara y el espejo: discurso de la mujer afrocubana en el teatro cubano |
Abstract
|
|
Marcelo Fajardo-Cardenas |
|
| El beso de la mujer araña de Manuel Puig: Manifestación de deseos que subrayan la represión social y política |
Abstract
|
|
Dolores Flores-Silva |
|
| Abran las ventanas; quiero respirar: Clearing Up History in La muerte de Artemio Cruz |
Abstract
|
|
Mark Couture |
|
| The Bustrófedon Character in Vanishing Point by Guillermo Cain/Cabrera Infante |
Abstract
|
|
Benjamin H. Cluff |
|
| LA TEORÍA DE LA ORALIDAD Y LA POESÍA DE SOR JUANA INÉS DE LA CRUZ |
Abstract
|
|
Hector N Garza |
|
| Úrsula Suárez (1666-1749): An Unusual Clarist Chilean Nun |
Abstract
|
|
Jorge W. Suazo |
|
| Una nueva lectura de la poética de Octavio Paz a través de El mono gramático. |
Abstract
|
|
Cynthia M. Pena |
|
| Carvajal, Naranjo, Sigüenza: tres direcciones fundamentales de la poesía ecuatoriana del siglo XXI |
Abstract
|
|
Pablo A Martinez |
|
| El teatro si sentido: el “Camp” en Salón de belleza de Marío Bellatín |
Abstract
|
|
Susan Shoshan Abraham |
|
| El amor en los tiempos de la ciencia y la segunda guerra mundial: la relación amorosa como movilizadora en En busca de Klingsor de Jorge Volpi |
Abstract
|
|
Brian James Gunderson |
|
| Entre la tradición y el cambio: la construcción de la Nación en "M’hijo el dotor" de Florencio Sánchez |
Abstract
|
|
Ramiro Garcia-Olano |
|
| Benditos guerreros, malditos modernos: la imagen de la guerra en el cine latinamericano contemporáneo |
Abstract
|
|
Lizardo Herrera |
|
| Ricardo Palma y Juana Manuela Gorriti o el sincretismo entre lo fantastico y lo historico en el Romanticismo Latinoamericano |
Abstract
|
|
Marie Elise Escalante |
|
| “Globalización y sexualidad: Cuerpo social y sexual en la Habana de Daina Chaviano.” |
Abstract
|
|
Mayte G. Harbison |
|
| LA VELOCIDAD, LA VIOLENCIA URBANA Y LOS “NO LUGARES” EN LA POESÍA VENEZOLANA RECIENTE |
Abstract
|
|
Arturo Jose Gutierrez-Plaza |
|
| Las aguas del recuerdo: espacio, imaginación y repeticiones en "La casa inundada" de Felisberto Hernández |
Abstract
|
|
Roberto Eduardo Weiss |
|
| El “esprit de perdition” o la perversión satánica de la libertad. |
Abstract
|
|
Clara-Cristina Adame de Heu |
|
| El hombre y su medio ambiente: el caso peruano en la literatura |
Abstract
|
|
Enrique Manuel Bernales Albites |
|
| La búsqueda por la libertad interior y los “cuentos maravillosos” de Rosario Ferré |
Abstract
|
|
Rosa Mirna Sanchez |
|
| “La última erranza”. Maniqueísmo, literatura y control social. |
Abstract
|
|
Esteban Ponce-Ortiz |
|
| Thomas Gage: el renegado. |
Abstract
|
|
J. Manuel Gomez |
|
| La mujer y el mal en la poética de lo maravilloso de Jean Cocteau. |
Abstract
|
|
catalina Gonzalez Melero |
|
| Panel: Title Literatura afro-latinoamericana y caribeña: cuestionando el discurso de la nación |
Abstract
|
|
Dawn Duke |
|
| Panel Title: El inconformismo en la literatura latinoamericana contemporánea |
Abstract
|
|
Dawn Duke |
|
| Argentina hoy: ¿Melodrama a ritmo de bailanta? |
Abstract
|
|
ALberto Chamorro |
|
| “Discotecas Latinas: Reggaeton in Madrid's Manhattan" |
Abstract
|
|
Araceli Masterson-Algar |
|
| Jose Martí‘s cultural narratives on cities: Nineteenth Century Madrid and their Resistance to Modernity |
Abstract
|
|
Jose Antonio Gonzlaez |
|
| Poetic Rivalry and Competition in Eighteenth Century Peru |
Abstract
|
|
Jerry Williams |
|
| Visitas después de hora_ y las múltiples voces/identidades de las mujeres |
Abstract
|
|
Lori Hopkins |
|
| El viaje como recurso temático en la obra de Mempo Giardinelli |
Abstract
|
|
Rhonda Buchanan |
|
| La literatura comprometida y el compromiso en Mempo Giardinelli |
Abstract
|
|
Fernando Operé |
|
| Los personajes masculinos y la masculinidad en la obra de Mempo Giardinelli |
Abstract
|
|
Pepo Delgado |
|
| ¿Cómo traducir el Chaco de Mempo Giardinelli? De Imposible equilibrio a An Impossible Balance |
Abstract
|
|
Gustavo Pellón |
|
| “The Thriller Form in Postdictatorial Chile” |
Abstract
|
|
Audrey K Bryant |
|
| East Meets West in Borges |
Abstract
|
|
Iana Konstantinova |
|
| Gendered Journeys: Inner and Outer Travel in Cuerpo náufrago and Beatriz y los cuerpos celestes |
Abstract
|
|
Morgan Zippin Fisher |
|
| Dos palabras y la marginalizacion politica y social de las mujeres |
Abstract
|
|
Gloria Lopez-Pesini |
|
| The Post-Colonial Detective in Crime Fiction of the Hispanic Caribbean |
Abstract
|
|
Melissa Widdis |
|
| Dos versiones de la pampa gauchesca: Hernández y Ascasubi |
Abstract
|
|
Miguel Fernandez |
|
| The Perpetuation of Ignorance in Early Modern Latin America |
Abstract
|
|
Millie Gimmel |
|
| "Novela del lenguaje: Características narrativas, discursivas y culturales en textos selectos de Cabrera Infante" |
Abstract
|
|
David Walter Aguado |
|
| La desconstrucción semiótico de Rey de la Habana |
Abstract
|
|
Erika Bondi |
|
| Latin America through the Eyes of a Sixteenth-Century Traveler: a Comparative East/West View of the Colonial “Other” |
Abstract
|
|
Yan Li |
|
| Picardias Educativas |
Abstract
|
|
Gustavo Alberto Flores Villarreal |
|
| Presencia de la epísteme posmoderna en el discurso narrativo hispanoamericano de los umbrales del siglo XXI: Carlos Fuentes, Mario Vargas Llosa y Leonardo Padura. |
Abstract
|
|
Antonio J. Aiello |
|
| Secuestro express: descubrimiento, conquista e independencia en la realidad caraqueña. |
Abstract
|
|
Morella Ruscitti Tovar |
|
| Anzaldúan Thought & Queer Theory: From Mestizas to Nepantleras |
Abstract
|
|
Robyn Henderson-Espinoza |
|
| Anzaldúan Thought & Queer Theory: From Mestizas to Nepantleras |
Abstract
|
|
Elisa Facio |
|
| Anzaldúan Thought & Queer Theory: From Mestizas to Nepantleras |
Abstract
|
|
Kathleen Douglass |
|
Italian Studies
| Culinary Anglicisms in Italian: from the press to every-day language |
Abstract
|
|
Cecilia Tocaimaza-Hatch |
|
Language Technology
| Teaching Russian Verbs of Motion Online: Uncle Ivan meets the Avatar |
Abstract
|
|
Kristin Bidoshi |
|
| More Clicks, Fewer Bricks: Tearing Down the Walls in Translators Training through Wimba, Clickers, and More |
Abstract
|
|
Luis Cerezo, Gorky Cruz |
|
| Attitudes towards the effectiveness of technological tools in foreign language classes: Students vs. Instructors |
Abstract
|
|
Marisol Garrido, Margarita Obregon, Guada Cabedo-Timmons |
|
| The Live Literature Project: Bringing Portable Classical Literature to Notebooks |
Abstract
|
|
L. Kirk Hagen |
|
| Activities to Promote Oral Communication Outside the Classroom for Beginning Language Learners |
Abstract
|
|
Kristi Hislope |
|
| Strategies for improving an active traditional language lab to a more dynamic and efficient language learning center |
Abstract
|
|
Yihsin (Nicolas) Hu |
|
| Google’s Interlanguage is Better than Yours: Reassessing the Instructional Role of Online Translators |
Abstract
|
|
Jason R Jolley |
|
| Conversa Brasileira: Effective Use of Video in Foreign Language Teaching |
Abstract
|
|
Orlando R. Kelm |
|
| Flash Exercises for Listening Comprehension in French Revisited |
Abstract
|
|
Duane W. Kight |
|
| Developing Writing Skills through Blogging |
Abstract
|
|
Claudia Kost |
|
| Rhizomes, technology and language-learning |
Abstract
|
|
Andrew Lian |
|
| Beyond Showing Movies in Language Classes |
Abstract
|
|
Nathan L. Love |
|
| “Computers for Computers Sake?”: A Spanish Teacher’s Beliefs and Technology Use Within an Institutional Culture |
Abstract
|
|
Michelita Matthews |
|
| Assessing Assessments: In Pursuit of Perfect Placement |
Abstract
|
|
Dan Nickolai |
|
| Blogging with a purpose: grammar, feedback, and L2 authorship |
Abstract
|
|
Stephanie Pellet |
|
| Mulitcultural Berlin and Its Discontents |
Abstract
|
|
Sylvia Rieger |
|
| Useful and Nonuseful Tech Ideas for Millenials Learning Spanish as a Foreign Language |
Abstract
|
|
Juan Pablo Rodríguez |
|
| An intensive Spanish grammar class online: Integrating Flash learning objects, (a)synchronous video conferences, Googledocs, multimedia and more. |
Abstract
|
|
Carmen Ruiz-Sanchez, Adolfo Ausín |
|
| The Cognitive Surplus – Creativity and Technology for Knowledge in Every Language |
Abstract
|
|
Reinhard Schaler, Sharon O’Brien, Stefanie Scheeder |
|
| Teaching Teachers: Using Moodle and Wikispaces to Model and Construct Technology-Based Projects for the Second Language Classroom |
Abstract
|
|
Jessica Marie Williams |
|
| Technology and Second language Acquisition: Bridging the Gap Between History, Geography, Art and Language |
Abstract
|
|
Carlos Arturo Yanez |
|
Second Language Acquisition
| The Aspect Hypothesis and the Acquisition of L2 Japanese Tense and Aspect by English Native Speakers |
Abstract
|
|
Kyoko Tomikura |
|
| Variaciones lingüísticas en la aldea global: testimonios de dos migrantes latinoamericanos en EEUU |
Abstract
|
|
Claudia A Arteaga |
|
| The Effects of Traditional Group vs. Individual Textbook-based Pre-reading Activities on the Reading Comprehension of Students of Intermediate-high Spanish |
Abstract
|
|
Lucia Osa-Melero |
|
| The socio-cultural impacts of service-learning on L2 college learners |
Abstract
|
|
Frédérique M.A. Grim |
|
| Acquiring Spanish subjunctive through a dictogloss task: the advantages of Focus on Form instruction. |
Abstract
|
|
Muriel Gallego |
|
| Dialects in the Spanish Classroom: Raising awareness, avoiding discrimination, making connections. |
Abstract
|
|
Rebecca Noelle Conley, Muriel Gallego |
|
| Abstract Nouns in L2 English Article Use |
Abstract
|
|
Yue Shi |
|
| “The importance of circumlocution in the Spanish university-level classroom” |
Abstract
|
|
Deborah Arteaga, Lucía Llorente |
|
| Speak Spanish (or Portuguese For That Matter) Motherfu!@er: Mapping the Borders of Luso-Hispanic Curriculum in the 21st Century |
Abstract
|
|
sandro r. barros |
|
| ATTITUDES AND MOTIVATION IN SUCCESSFUL EFL LEARNING: THE CASE OF ECUATORIAN STUDENTS AT CEDEI |
Abstract
|
|
Rosa Maria Piqueres Gilabert |
|
| On the attitudes of African American college students toward foreign languages |
Abstract
|
|
Julia Oliver Rajan, Erin E. Gilles |
|
| Very funny: Choosing and using humorous videos from the world-wide-web effectively in the foreign language classroom |
Abstract
|
|
Anke Julia Sanders |
|
| Evaluating Foreign Language Teaching and Learning in Practicum Models |
Abstract
|
|
Larry L. LaFond |
|
| Considering Dialectal Variation in the Instruction of Second Language Pronunciation: An Example from Porteño Spanish |
Abstract
|
|
Christina Agostinelli |
|
| The Use of Etymology in the Foreign Language Class to Foster L2 Development |
Abstract
|
|
Otis Phillip Elliott |
|
| Lexical variation of French in West Africa. Evidence of an emerging lingua franca or evidence of “conlanging”? A case study of La Côte d’Ivoire. Abstract: |
Abstract
|
|
Richard Beyogle |
|
| Pragmatics: A closer look at conversation styles of French and English Speakers |
Abstract
|
|
Bryan Michael Pickens |
|
| Content Analysis of Beginning Spanish Textbooks |
Abstract
|
|
Diane Ceo-Difrancesco, Kathy P. Barton |
|
| Color terms in metaphoric expressions of English and Persian: Al-Hasnawi's Cognitive Schemes in focus |
Abstract
|
|
Banafsheh Ghafel |
|
| Application of the most comprehensive rule of English word stress on some special vocabularies |
Abstract
|
|
NGUYỄN VĂN BỀN |
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| Increasing Awareness and Implementing Spanish Linguistic Varieties in the Foreign Language Classroom. |
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Rebeca Bataller |
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| Noticing Culture: High-School Students' Perception of Culture during Summer Study Abroad Programs |
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Carmen Carracelas-Juncal |
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| A Study of the Correlation between Musical Aptitude and Phonological Ability of EFL Beginners – a Comparison of Chinese and German Cases |
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Xin Yuan |
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| The Cognate Boost in Picture-Naming: A Study of Reaction Time and Accuracy Across Proficiency Levels with L2-Learners of Russian |
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Alicia Kate White |
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| Prompts as Focus on Form and the effects on uptake. |
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Brian Boisvert |
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| Application of multi-media technique in TCSL (Teaching Chinese as a Second Language) |
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hongdan shen |
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| The Effects of Task-based Instruction on Thai University Students’ English Language Performance |
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Pannathon Sangarun |
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| The Role of Word Boundary in Reading Chinese |
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Yun Yao |
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| El empleo del humor y las tiras cómicas como herramienta en las clases de español como segunda lengua. |
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Sara Fernandez-Medina |
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| The ACTFL guidelines for “teacher readiness”. Implications for the teaching methods course |
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Claudia Guidi |
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| Comparison of L1 and L2 Spanish subjunctive intuitions |
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Laurie Angela Massery |
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| The use of English Phonotactic Probability to facilitate vocabulary learning of English as a foreign language (EFL) |
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Faisal Aljasser |
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| Critical thinking, program evaluation, and ‘real world’ issues in a Spanish capstone course |
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Regina Roebuck |
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| Gender and Number Feature Tagging on Spanish Lexemes by Adult L2 Learners; Input to the Syntactic Process |
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Stephen Bryant Hawes |
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| A Service Learning Course: A Gateway to Local Communities and much more |
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Carole E Bergin |
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| Teacher on the Verge of a Nervous Breakdown: Developing an Advanced Spanish Course that Works |
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Diane Mulroney |
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| Environmental Factors in Second Language Acquisition: Through a Military Academy Lens |
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Daniel Szarke |
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