French and Francophone Studies
| “Annie Ernaux’s Self-Begetting Text: Les Années” |
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John T. Booker |
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| “Fashion as a mode of subversion in France’s post-colonial cinema” |
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Jean Xavier Brager |
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| La littérature beure en France: le fossé des générations ou la redéfinition du canon. |
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Sophie Sylvie Bodel |
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| Feminine Writing as Translation: Assia Djebar's Femmes d’Alger dans leur appartement. |
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Greta Bliss |
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| The City as Character: Gender, Religion, and Tunis |
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Debbie Barnard |
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| Examples of Arranged and Deranged Objects |
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christopher Joseph Bains |
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| Matter as Machine: Figuring the Animal and the Human in Descartes and La Mettrie |
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Andrew Geoffry Billing |
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Spanish American
| La lucha por la identidad en dos periódicos Afro-uruguayos |
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María Cristina Burgueño |
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| Language and Meaning in Paz's Salamandra |
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Kathryn Taylor Bowers |
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| Revelations and the Revolution: The Theatrics of César Vallejo’s El tungsteno |
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Matthew Bush |
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| La violencia como lugar común en la narrativa hispanoamericana actual |
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Peter G. Broad |
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| Mothers for Sale: Diana Raznovich’s Casa Matriz |
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Rose Marie Brougham |
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| “What’s So Funny about Exile? Humor and Choteo In Visual Media of the Cuban Exile” |
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Gabriel Ignacio Barreneche |
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| Lost in Translation: A Less-than-Magical Transformation of Mirta Narosky’s Duendes |
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Janis Breckenridge |
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| Repensando la 'prueba' de amor |
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Ana Charell Baez |
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| Ruined Bodies, National Paradox: Reading Urban Poverty in Chile |
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Stephen M Buttes |
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| El Estado guatemalteco a finales de la guerra: _El cojo bueno_ y la ausencia de la justicia |
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Elizabeth R. Bell |
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Spanish Peninsular
| Readers and Counter-Discourse in De tal palo, tal astilla |
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Daniel Brown |
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| ¿Realismo o realidad?: Poética del exceso en las novelas contemporáneas de Benito Pérez Galdós |
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Adela Borrallo-Solis |
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| Depopulation in Peninsular Literature and Film |
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Diana Q Burkhart |
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| “Pacheco’s Alfredo and the Father-Son Conflict in Spanish Romantic Drama” |
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Christine Leigh Blackshaw |
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| On Who’s Authority? Author, Text, Reader and Publisher in Arturo Pérez-Reverte’s El pintor de batallas |
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Julia Barnes |
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| Emilia Pardo Bazán: "la figura más extrovertida y discutida del mundo de las letras" |
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Maryellen Bieder |
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| La función de las relaciones espaciales y la memoria en el desarrollo de la identidad femenina en literatura durante la postguerra en España |
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Caitlin Mary Buck |
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| Coronista Corporal |
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José R. Ballesteros |
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| Interest Due: The Socail Context of the Jewish Moneylenders in the Poem of the Cid |
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Leslie Ann Blacksberg |
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| Performing Classical Spanish Drama on the U.S./Mexico Border: Adaptation, Contamination, Purification |
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Mindy Ellen Badía |
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| One Flew Over La Mancha: R.P. McMurphy as a Postmodern (Per)Version of Don Quixote |
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Keith Brower |
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| "El erotismo cabalístico en La novia judia de Leopoldo Azancot" |
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Stacey M. Bill |
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| “Poder, libertad y maquinaria estatal en tres novelas de Mario Lacruz” |
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David Bird |
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| El tiempo vuela: variaciones en la trayectoria poetica de Angel Gonzalez |
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Douglas K. Benson |
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Language Technology
| Using Technology to improve and stimulate Oral Expression and Communication |
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Carole E. Bergin |
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| Advancing Collaborative Foreign Language Scholarship and Pedagogy through Open Technology |
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Carl Blyth |
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Second Language Acquisition
| Por favor, ¿puedo tener una coca-cola, por favor? L2 learners’ use of internal mitigating devices in requests. |
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Rebeca Bataller |
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For any question about the KFLC Abstract Site contact:
Betsy Dahms, Assistant Director, kflc@uky.edu