French and Francophone Studies
| "Madeleine Dreyfus: OSE Fieldworker and Righteous Jew" |
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Patrick Gerard Henry |
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| The Decadent Magician |
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Bob Ziegler |
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| La peinture, pré-texte de l’écriture chez Pascal Quignard |
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Cousin de Ravel AGNES |
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| Mythologie de la doudou: réification de l’île et implications nationales et culturelles du corps |
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Jacqueline Couti |
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| Balzac's Zoroastrian Illusions |
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Allan H. Pasco |
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| In Defense of Evil: Contextualizing Doping in the Tour de France |
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Corry Cropper |
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| The Poetics of Vituperation: Retributive Violence in Ronsard, D’Aubigné and Baudelaire |
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Robert J. Hudson |
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| Mythologie de la doudou: réification de l’île et implications nationales et culturelles du corps aux Antilles |
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Jacqueline Couti |
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| “‘Sans la musique certains d’entre nous mourraient’: Boutès et le retour.” |
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Jean-Louis J Pautrot |
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| La prédation ou le secret de l’art chez Pascal Quignard |
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Maria Cristina Alvares |
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| Jews in the Resistance, the Armee Juive and Clandestine Resistance |
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Samantha Jule Lakin |
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| Jews in the Resistance, the Armee Juive and Clandestine Resistance |
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Samantha Jule Lakin |
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| Jews and Gaullists in La France Combattante: Personal Identity, National Sentiment, and Armed Resistance |
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Nathan Bracher |
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| "Madeleine Dreyfus: OSE Fieldworker and Righteous Jew" |
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Patrick Gerard Henry |
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| Pratiques et plaisirs français dans les Chroniques du nouveau monde : Sodome et Gomorrhe dans Le Royaume de ce monde d’Alejo Carpentier et Hadriana dans tous mes rêves de René Depestre |
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Silvia Baage |
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| The MJS and the Smuggling of Jewish Children from France into Switzerland in the Fall of 1943 |
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Nan Lefenfeld |
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| Violent and Non-Violent Jewish Resistance throughout Europe: An Overview |
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Richard Edward Middleton-Kaplan |
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| La littérature à travers la caméra : La transposition des modes narratifs de L’assommoir (Zola) dans le film “Gervaise” (Clément) |
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Awa Diop |
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| Nyamanton ou La leçon de choses |
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Abdou Salam Yaro |
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| Footnotes as Dialogue: Establishing Authority in Rétif’s Le Nouvel Abeilard |
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Barbara C. Abad |
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| Who's the Man?: Metaphorical Readings of Prospero and Caliban |
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Paula K. Sato |
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| La voix et la danse |
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Lapeyre-Desmaison Chantal |
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| Simone de Beauvoir on Torture During The Algerian War: An Analysis of Djamila Boupacha |
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Sarah E Mosher |
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| Narrating history - Patrick Chamoiseau's "Solibo magnifique" |
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Carla Bota Vance |
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| Technology, Ecology and Globalization in Édouard Glissant |
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Roxanna Nydia Curto |
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| “The Eternal Struggle of Minorities in France: Resistance in La Seine était Rouge and Les Raisins de la Galère” |
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Michele Laurenne Gerring |
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| La Terre au théâtre Antoine |
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Diane Henneton |
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| A Lacanian Consideration of Baudelaire's Art Criticism |
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Kenneth David Widgren |
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| "Sur l'Algerie:" French Algeria's Epic Poem |
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Colleen Beth Hays |
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| Analyse comparée de Sarrasine de Balzac et de L’Enfant de Sable de Ben Jelloun : Quand la forme rencontre le sens. |
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Valérie Françoise Hastings |
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| "Two Visions of America: America as the Ideal Country in Chateaubriand's Atala and Tocqueville's De la démocratie en Amérique" |
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Robert Matthew Patrick |
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| Négation de la masculinité et confusion des genres dans Sarrasine et La Fille aux yeux d’or de Balzac |
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Olivier Cyril Le Blond |
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| French Rap and its Political implications. |
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jean-baptiste Meunier |
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| Banlieue haie – Banlieue chérie : Représentations de la périphérie parisienne dans la littérature française |
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Mame Fatou Niang-Meunier |
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| Tahar Ben Jelloun's 'Partir': Unraveling the Dream of Immigration |
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Erika Hess |
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| « Si le corps m’était conté… : Marie Chauvet et la représentation de la mulâtresse dans La danse sur le volcan » |
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Lovia Marie Carmelle Mondésir |
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| Covert Language Mixing in Literary Texts: The Case of Abdellatif Laabi's Le Fond de la Jarre |
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Ahmed Fakhri |
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| L’adaptation des Esprits de Pierre de Larivey par Albert Camus |
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Henry Cohen |
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| Dakini Teachings: Yourcenar’s Inscription of the Divine as Feminine |
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Joyce Janca-Aji |
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| Modernity, Conservatism, and Regionalism in Nancy’s Art Nouveau Architecture |
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Peter Clericuzio |
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| Proustian Resonances in Annie Guéhenno's "L'Épreuve" |
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Kathy Comfort |
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| Son and Lovers: The Child as Narrative Linchpin in Marcelle Tinayre's La Rebelle |
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Hope Christiansen |
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| La Condition humaine dans L’Histoire terrible |
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Althea Hubbard |
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| Personnage et espace dans l’univers romanesque de J.G. Léclézio. |
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Ikanga Ngozi za Balega Tchomba |
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| The Wicked Women of Amélie Nothomb |
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Beth Gale |
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| Le Roman latin de Pascal Quignard |
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Bénédicte Marie Gorrillot |
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| Perpetrator PTSD in Recent Algerian-War Film: Mon Colonel and L'ennemi Intime |
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Nicole Beth Wallenbrock |
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| Realpolitik and Return to Utopia in Etienne Cabet’s Voyage en Icarie (1839) |
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Daniel Sipe |
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| Transforming Stereotypes in Early Modern Canada: The mise-en-scène of Religion in Jacques Cartier’s Voyages |
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Scott Juall |
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| What's In a Name? Naming, Enemies and Shifting Signifiers in Fault Lines |
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Nikki Kaltenbach Hollis |
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| La Prédation ou le secret de l’art chez Pascal Quignard |
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Maria Cristina Alvares |
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| Le Roman latin de Pascal Quignard |
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Bénédicte Marie Gorrillot |
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| La Voix et la danse |
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Lapeyre-Desmaison Chantal |
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| Resisting War: The Cave in Méchakra’s La Grotte éclatée and Buis’ La Grotte |
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Christa Jones |
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| George Sand's Narrative of Maternal Revenge: La Filleule |
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Kate Ann Jensen |
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| Academic Learning and Community Service in Sénégal. » |
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George Joseph |
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| La Vièrge et La Grande-Oursonne: les images du folklore canadien dans “Comme une enfant de la terre” de Jovette Marchessault. |
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Deana Suzanne Shuman |
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| Conflits et sociétés en Afrique dans Exils croisés de Priscille Mékoulnodji |
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Enoch Reounodji |
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| Conflits et sociétés en Afrique dans Exils croisés de Priscille Mékoulnodji |
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Enoch Reounodji |
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| Rural Seduction in La grande séduction and Bienvenue chez les Ch’tis: 40 Miles Past Nowhere From Sex and the City |
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Julie Robert |
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| Imaginary Borders in Didier Van Cauwelaert's Un aller simple (1994) |
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Leila Ennaili |
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| Intratextual Baudelaire: The Sequential Fabric of the Fleurs du mal |
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Randolph Paul Runyon |
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| Francophone Women in Louisiana: Writing Beyond the Paternalistic French Family in Alfred Mercier’s L’Habitation Saint-Ybars |
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Mary Florence Cashell |
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| La Peinture, pré-texte de l’écriture chez Pascal Quignard |
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Cousin de Ravel AGNES |
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| "Sans la musique certains d’entre nous mourraient” : Boutès et le retour |
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Jean-Louis J Pautrot |
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| "Race, Feminism and Colonial Family Romance in Olympe de Gouges" |
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Madeleine Dobie |
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| As thick as thieves: Eugène Sue's criminal family |
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Megan E Lawrence |
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| "Une singularité que je ne m'explique pas": Nerval's tripartite subjectivity in Aurélia |
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Gina Stamm |
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| A War of Worlds: Claude Simon’s Soldier-Subject |
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Peter Sorrell |
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| Nothing without laughter |
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Mrinmoyee Bhattacharya |
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| The Ghost of Convicts’ Past: Dickens’s Great Expectations and the Spirit of Balzac |
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Charles Hatten |
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| The Conspiracy against French: Extremism in the Education Debate |
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Mort Guiney |
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| Tendances antidémocratiques dans la fiction politique du jeune Blanchot |
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Christophe Ippolito |
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| Everyday War: Le Quotidien in Irène Némirovsky’s Suite française |
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Claire Jones |
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| Malraux-Berger: Writing the Record in Olivier Todd’s André Malraux: A Life |
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Carina Yervasi |
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| L’écrire-peindre dans l’œuvre commun de Michel Butor et Catherine Ernst. |
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Nicole F Biagioli |
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| The Witness in the Back Alley: Abortion, War, and the Politics of Disclosure in Annie Ernaux’s L’événement |
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david caron |
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| The Witness in the Back Alley: Abortion, War, and the Politics of Disclosure in Annie Ernaux’s L’événement |
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David Caron |
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| Sounding Modernity and Tradition: The Interplay of Sound and Image in Yasmina Khadra’s Les Sirènes de Bagdad |
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Jenn Solheim |
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| Sounding Modernity and Tradition: The Interplay of Sound and Image in Yasmina Khadra’s Les Sirènes de Bagdad |
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Jennifer Solheim |
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| Au-dela du blame: Le lien mere/fille dans L'esperance-macadam de Gisele Pineau |
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Marie-France Prosper-Chartier |
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| L’Étranger de Baudelaire est-il un « stranger » ou un « outsider » ? |
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Marius Conceatu |
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| “’Terminal Exile’: Kim Doan’s L’arrivée” |
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Jack A. Yeager |
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| Panoramas de Paris : Mercier, Balzac, Du Camp. |
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Marion Geiger |
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| Panoramas de Paris : Mercier, Balzac, Du Camp. |
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Marion Geiger |
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| Condillac : sujet sensible et théorie du langage dans l'expérience panoramique. |
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Luc Monnin |
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| The City as teacher: Tunis and rites of passage |
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Debbie Barnard |
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| Ashamed of my Shame: Zahia Rahmani |
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Michèle Vialet |
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| Intertextualité et innovations esthétiques dans Entendez- vous dans les montagnes de Maïssa Bey. |
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Etienne Achille |
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| CALIXTHE BEYALA OU LA REECRITURE DE LA LITTERATURE COLONIALE FRANÇAISE |
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Frieda Ekotto |
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| Homoerotic Desire and the Pedagogical Text in the Writings of Madame de Genlis. |
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Lesley Walker |
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| The Role of Dialogue in Women’s Storytelling in Early Modern France |
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Kathleen Loysen |
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| Malraux et Apollinaire |
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Yulia Draganova Kovatcheva |
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| Playing Rousseau’s Music for the Reader: The Language of Knowledge in George Sand’s Dialogues |
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rachel corkle |
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| “Flirting with Anarchy in Louis Aragon’s Les cloches de Bâle” |
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Oana Cimpean |
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| Remembering the Occupation: Patrick Pecherot and the Historical Detective Novel |
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Angela Marie Kimyongur |
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| "A la recherche du corps perdu: La désincarnation et l’incarnation chez Proust exprimées dans A la recherche du temps perdu" |
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Dorthea Margery Fronsman-Cecil |
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| Reflecting the National Psyche in Post-WWI French Theatre: The Case of Paul Raynal's Le Tombeau sous l'Arc de Triomphe (Tentative) |
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Ryan O'Rourke |
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| L'experience interculturelle d'Henri Michaux |
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Dominique A Poncelet |
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| Sexual Imagination in Rousseau |
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Shane Agin |
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| Pity, Ferocity and the Monstrous: Political Anthropology and its Animal Other in Rousseau |
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Andrew Geoffry Billing |
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| Problématique morale et pouvoir féminin dans la reconstruction du corps social louisianais dans l’œuvre romanesque de Sidonie de La Houssaye : Les Quarteronnes de La Nouvelle-Orléans et Amis et Fortune |
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Christian Hommel |
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| « La Marginalité comme arme subversive : Ou comment Albert Cossery défait les binarismes coloniaux dans Le Facteur se venge » |
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Bassem H. Shahin |
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| "L’animalité de l’art : Bataille, Char, Quignard, Nancy" |
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Elisabeth Arnould Bloomfield |
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| Les soubassements classiques de la vérité dans l’âge des Lumières |
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Zakaria Fatih |
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| "Le roman indigène dans l'Algérie coloniale: mimétisme ou dépassement?" En lisant Zohra la femme du mineur d’Abdelkader Hadj Hamou |
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Nacer Khelouz |
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| “Deep listening: being with animals” |
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Claire Lyu |
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| “Cadrer le regard animal, le spectacle équestre filmé” |
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Alison Levine |
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| Intertextual Canonicity in Contemporary Quebec Fiction. |
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Jean Marie Turcotte Walls |
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| Abstract title: ?; |
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Jeremy Popkin |
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| "Dany Laferrière's "cycle autobiographique." |
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Lee Skallerup Bessette |
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| Charlotte Delbo’s poetic testimony. |
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Nicole Thatcher |
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| "Ferry’s biopolitical kids" |
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Robert St. Clair |
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| "L'école sanctuaire: ou comment inventer un lieu de mémoire républicain." |
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Dana Lindaman |
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| Revolutionary Marriages in Cornélie Wouters’ and Isabelle de Charrière’s Comedies of Emigration |
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Carrie F Klaus |
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| Madame de Genlis : Performing Feminities |
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Philippe Barr |
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| The Most Extraordinary Man to Ever Walk the Earth: Voltaire's Treatment of Charles XII of Sweden |
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Christopher Coski |
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| Playing at Turks and Moors: Ballets de cour and the Politics of Imitation |
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Ellen Welch |
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| Personal History in Théodore Agrippa d’Aubigné’s Histoire Universelle |
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Kathleen Perry Long |
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| Agrippa d’Aubigné and the ars historica |
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Rebecca C. Harmon |
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| “Fantastiquer” l’histoire: le Discours par stances avec l’esprit de Feu Roy Henry Quatriesme |
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Samuel Junod |
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| Naming Names and Identity Politics in the Histories of Aubigné and de Thou |
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Stephen Murphy |
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| Self-Defeating Stereotypes: Soliman in Bounin’s Soltane and Belleforest’s Histoires tragiques |
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Marcus Keller |
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| From Wild Man to Noble Savage: Huron Violence and Two Early Modern Stereotypes in the Jesuit Relations |
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Micah True |
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| “Sortez de Babylone, mon peuple”: Jews, Judaism and Israel in French Reformation Polemic |
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Jeff Persels |
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| Rewriting Rape From a Male Perspective: Jean de La Fontaine and Heptaméron 45 |
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Dora Polachek |
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| Religious Realignment: Redefining the Other Within and Without in Marguerite de Navarre's Heptameron |
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Antonio De Ridder-Vignone |
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| Writing Secret Space in the Heptaméron |
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Elizabeth Black |
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| The Heptameron: Secret Motivations |
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Richard Regosin |
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| The Heiress and the Trafficker: Virtue, Gender and Zinevra’s Example in La Princesse de Clves |
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Twyla Meding |
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| "Translator and Author: on the Relations between Source and Target Texts." |
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Marian Rothstein |
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| Racine’s Dramaturgy of Poison and the Death of Tragedy |
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Stephanie O'Hara |
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| Exemplarity and vice: women’s embodiment of sin in Mme de Pringy’s Les Differents Caractères de l’amour |
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karen Santos Da Silva |
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| Poetry Matters: The Rhyme of Reason in Madame de Villedieu’s Poetic Lapses |
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Lori A. Knox |
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| Unsafe Sex: The Intersection of Sexuality and Violence in the Cent nouvelles nouvelles |
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David Fein |
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| Agrippa d’Aubigné, François de La Rochefoucauld and the Role of Historical Actor |
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Amy Graves Monroe |
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| Reinforcement of the Exotic: Representations of Women in 17th century French Travel Narratives |
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Jacqueline M Pound |
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| “Marriage Scandals Judged by Montaigne in the Parliament of Bordeaux 1563-1565” |
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Katherine A. Almquist |
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| Safe Stasis and Dangerous Deracination in Racine's Andromaque and Phèdre |
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Adam Michael Babin |
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| Study Abroad and Sustainable Development |
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Zoe Petropoulou |
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| “Engage your students and teach “Green” with French” |
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Therese Saint Paul |
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| “Sustainability education: socio-scientific literacy through field-based study abroad" |
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Robin Sears |
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| “Using the Environment/Sustainability as an Integrating context Improves Student Performance” |
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Joe Baust |
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| "Simone Weil, André Breton and the Power of Words" |
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Jolene Jacobson Barjasteh |
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| Un aperçu de l’état du français dans le monde et aux Etats-Unis: Mythes et réalités |
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James J Natsis |
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| Optical imagining in Fontenelle’s Entretiens sur la pluralite des mondes |
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Claire Goldstein |
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| Transforming Stereotypes in Early Modern Canada: The mise-en-scène of Religion in Jacques Cartier’s Voyages |
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Scott Juall |
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| La Guerre des étoffes: indiennes, women, and Louis XIV |
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Faith Beasley |
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| Pour une poétique de la lecture de circonstance : lecture à clé et application. |
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Mathilde Bombart |
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| Le temps retrouvé des héros tragiques : de l’éblouissement éternel à la grâce éphémère |
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Sylvaine Guyot |
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| Living and Breathing History: Némirovsky’s Suite française |
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Renée Kincaid |
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| "Towards a Double Reading: Paul Faval's La Vampire in its Historical Context"; |
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William Holley |
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| "Les langues de la mémoire : le plurilinguisme dans La femme aux pieds nus de Scholastique Mukasonga," |
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Morgan Faulkner |
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| Beyond the Paratext: Literary Self-Promotion in Jean Lemaire de Belges’s 1503 Temple d’Honneur et de Vertus |
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Peter Jared Eubanks |
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| Mesure, mouvement and the courtly ideal |
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Donald Robert Sunnen |
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| Imaginary Borders in Didier Van Cauwelaert's Un aller simple (1994) |
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Leïla Ennaili |
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| Calixthe Beyale ou la réécriture de la littérature coloniale française |
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Frieda Ekotto |
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| Women in Magical Space: Feminine Spaces in Ananda Devi's Soupir |
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Ritu Tyagi |
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| Francophone Women in Louisiana: Writing Beyond the Paternalistic French Family in Alfred Mercier's L'Habititation Saint-Ybars |
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Mary Florence Cashell |
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Hispanic Linguistics
| The Spanish Preposition A as a Result Marker for Predication’s Cognitive Structure |
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Zhiyuan Chen |
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| The use of ser and estar before adjectives |
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Francisco Martinez Ibarra |
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| Should rules of accentuation (stress patterns) be taught in elementary-level L2 (Spanish) courses? |
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Dan Hickman |
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| Koiné or koinés? Verbal morphology in New Mexican Spanish and the origins of dialectal variation in colonial Latin American Spanish |
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Israel Sanz-Sanchez |
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| Trujillo's account of the conquest of Peru: New documentary evidence |
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Brian Imhoff |
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| The Hand behind the Letter, the Voice behind the Call: Linguistic and Paleographic Tools to Identify the Real Alvar Núñez Cabeza de Vaca in Rio de la Plata (1540-1545) |
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Pablo Pastrana-Pérez |
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| Emotional charge and language choice in Galician-Spanish bilingual families: evidence from macro-sociolinguistic research and further discussion |
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Gabriel Rei-Doval |
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| La pluralización del verbo “haber” existencial en el español salvadoreño |
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José Roberto Alexander Quintanilla |
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| Disfiguring Discourse: Don Quijote and The Brief, Wondrous Life of Oscar Wao |
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Mindy Ellen Badía |
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| The Use of the Future Subjunctive in Colonial American Texts |
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Sonia Kania |
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| Personal Knowledge in Andean Spanish |
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Maria Luz Valdez |
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| El uso de los términos de color del español tardomedieval en tradiciones textuales diferentes |
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Elmar Eggert |
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| Sobre la adquisición de pronombres clíticos en español |
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Francesco D'Introno |
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| Economy in L1 and L2 Spanish Syntax: the Case of Relative Pronouns |
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Rosemary Weston |
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| ¿Del voseo al tuteo? Is the use of tú expanding in the Pronominal Address System of Cali, Colombia? |
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Monica Millan |
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| Code-switched discourse markers in Spanish/English bilingual blogs |
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Amy Hernandez |
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| PARAGUAYAN RHOTICS: A PRELIMINARY DESCRIPTION OF DIALECTAL DIVERGENCE |
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Terrell A. Morgan |
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| La muerte del “usted” y el triunfo del “tú” en la España actual: Un estudio del uso de “tú” y “usted” en el programa radiofónico español Julia en la onda |
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Isabel Dominguez |
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| Xeno-racism and the immigrant identity in Spain |
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Marisol del-Teso-Craviotto |
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| A conservative 'null subject' stage in early pro-drop and no-longer-pro-drop languages |
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JULIO VILLA-GARCIA |
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| Relative animacy and disambiguation: The relevance of the clausal domain in Spanish a-marking |
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Ian Tippets |
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| Variación diasistemática como problema en el estudio de las perífrasis verbales |
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Carsten Sinner |
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| SER o ESTAR en la Ciudad de México: un acercamiento a Ser/Estar + Adjetivo |
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Elizabeth Natalia Juarez-Cummings |
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| The Importance of Spontaneous Speech in Intonational Studies: An Analysis of Costa Rican Spanish |
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Whitney Chappell |
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| Racism without Borders? |
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Maria de la luz Matus-Mendoza |
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| ¿Del voseo al tuteo? Is the Use of tú expanding in the Pronominal Address System of Cali, Colombia? |
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Mónica Millán, Mónica Millán |
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| On the Palatalization of Latin /gn/ in Romance |
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Kenneth J. Wireback |
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| Lexical Semantic Interactions with Aspect, Mood, and Tense in Romance |
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Matthew L. Juge |
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| The Fate of Classical Latin Perfectum versus Infectum in the Romance Languages |
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Mark J. Elson |
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| Intersective Gradience and Language Change: Possessive Modifiers from Latin to Italian |
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Janis Aski |
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| Early Romance Textuality and Linguistic Taxonomy: Classifying the 11th c. Chanson de Sainte Foi |
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Toni Espòsito |
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| O Leal Conselheiro: The House of Avis and the Transition from Middle Portuguese to Classical Portuguese |
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Jason Doroga |
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| The Super-/Substratal Relationship of Portuguese to Uruguayan Spanish |
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Kendra Douglas |
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| The Evolution of Clausal Temporal Modifiers in Spanish and French |
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Diana L. Ranson |
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| The Evolution of Clausal Temporal Modifiers in Spanish and French |
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Chad Howe |
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| De nuevo sobre la forma eres |
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Enrique Pato |
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| The Loss of -UDO Participles as a Problem of Actuation |
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Donald Tuten |
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| Early Origins of Case Marking in Hispano-Romance |
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Robert J. Blake |
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| Early Origins of Case Marking in Hispano-Romance |
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Omar Velázquez |
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| SER, ESTAR, HABER, and TENER: Semantic Interrelation in the time of the Corbacho |
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Marisa Carpenter |
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| Ramón Menéndez Pidal’s Concept of ‘Latent State’ and Spanish Aspectual Constructions |
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Natalya I. Stolova |
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| ¿Quién controla el estándar? Lexicografía y autoridad en el congreso de academias de 1951 |
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José del Valle |
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| The acquisition of variation in second language Spanish: How to identify and catch a moving target |
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Kimberly Geeslin |
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Spanish American
| Postmodernismo, identidad e inmigración: un análisis de "Fronteras americanas" de Guillermo Verdecchia |
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Mariana Pensa |
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| Conflict—and Hope—for Argentina: The Emergence of Literature During the Rosas Years |
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Maria Millett |
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| The image of the Father in the works of Reinaldo Arenas |
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James J Pancrazio |
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| La transitoriedad del pretender ser lo que se quiere ser y no se es en Don Catrín de la Fachenda |
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Wilfrido Suarez |
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| Darío and Neo-Paganism |
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Donald Leslie Shaw |
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| Amamantando la nación: el papel de la ama de leche en fomentar una conciencia nacional cubana en Cecilia Valdes de Cirilo Villaverde |
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Evelyn Galindo-Doucette |
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| El pensamiento americanista de Rodolfo Kusch |
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Alberto Julian Perez |
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| José Martí and Caracas, the second last step in the construction of a cultural narrative of the Hispanic urban in defining a foundational modern fiction |
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Jose Antonio Gonzalez |
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| Fairy tales and ghost stories: real world and fantastic imagination in Pan’s Labyrinth and The Orphanage |
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Chiara Nardone |
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| Manifiestos de la imaginación ecológica: relectura poética y crítica de la violencia corporativa |
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Roberto J Forns-Broggi |
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| The Madness of Silence: Imperial Women in Rosa Beltrán’s La corte de los ilusos |
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Katherine Karr-Cornejo |
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| De artesana de la palabra a obrera del pensamiento: Clorinda Matto de Turner y sus reflexiones en torno a la prensa en La Bolsa de Arequipa (1884) |
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Vanesa Miseres |
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| Simetrías y leves anacronismos: la relectura borgeana de William Hudson y Eduardo Gutiérrez |
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Gisela Salas-Carrillo |
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| Revolución, reescritura y masculinidad en Ángeles Mastretta |
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Cesar Valverde |
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| Utopia in Roberto Bolaño’s Early Fiction: A Search for Justice or Studies on the Absurd? |
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Lila McDowell Carlsen |
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| Hacia un análisis de los motivos culinarios del “Descubrimiento” de América |
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Maria Ines Ortiz |
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| Hernán Cortés and Sigüenza y Góngora’s La piedad heróica: Masculinity and the Narration of Violence |
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Lisa Amor Petrov |
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| Julio Espinosa o el poema como cuerpo sin nombre |
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Benito del Pliego |
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| Muerte, vida y genialidad en 'El perseguidor' |
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David F Fernandez |
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| Cómo ser negro y no morir en el intento: Gerardo Alfonso, Frank Delgado, and Race in the Novísima Trova |
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Robert Nasatir |
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| De la memoria a la ficción: Vivir para contarla de Gabriel García Márquez |
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cesar guillermo ferreira |
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| Dolor, culpa y reparacion en Paradiso de Lezama Lima |
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Rut Roman |
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| Eugenio Espejo y los primeros ecos de la independencia estadounidense en la América Hispana. |
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Esteban Ponce-Ortiz |
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| El erotismo maduro de Marco Tulio Aguilera Garramuño |
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Peter G. Broad |
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| EL PAIS DE LA CANELA (2008) DE WILLIAM OSPINA Y LA NUEVA CRONICA NOVELADA AMERICANA. |
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German D Carrillo |
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| Have You Heard the One About?: Memory and Misogyny in Ana María Shua’s Cabras, Mujeres, y Mulas |
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Lynne Flora Margolies |
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| Burning History: La buena educacion de Liria Evangelista |
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Jeanie Murphy |
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| TRANSMODERNIDAD ESCRITA DESDE GLOCALIDAD Y DIÁSPORA EN CUENTOS DE AUTORAS CARIBEÑAS |
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Ester Gimbernat Gonzalez |
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| Procesos de búsqueda en los cuentos de LA CASA IMPOSIBLE de Consuelo Triviño Anzola |
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Jose Cardona-Lopez |
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| Narcissism in Carmela Eulate Sanjurjo's La muñeca |
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Sylvia Lopez |
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| “La representación de un aprendizaje divergente en Chile: la nación y sus sujetos en tres novelas chilenas” |
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Regina María Faunes, Regina María Faunes |
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| El humor y la figura del letrado barroco criollo: una aproximación a la obra de Juan de Espinosa Medrano |
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Juan Vitulli |
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| A Reader Betwixt: Reader as Protagonist and the Double in Carlos Fuentes’ Aura |
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Erica M Alemdar |
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| La Ciudad como Amuleto de estadías: Roberto Bolaño disuelto en la Ciudad de México* |
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Raul Carrillo-Arciniega |
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| El flâneur de Morawski: Una lectura baudrillardiana de Palinuro de México* |
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Alejandro Puga |
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| Grotesquerie y activismo social: El vampiro de la colonia roma y la problemática de los derechos humanos* |
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sandro r. barros |
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| Recuperación histórica y sujetiva en "ConPasión absoluta" de Carol Zardetto |
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Willaim Kenneth Clary |
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| THAT HAPLESS BIRD, THAT STRANGE AND FATAL MYTH: CORRESPONDENCES BETWEEN LIHN’S EL PASEO AHUMADA AND BAUDELAIRE’S “LE CYGNE” |
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David Allan Faught |
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| Una multitud de nortes: La complejidad del espacio en Finisterre, novela de María Rosa Lojo |
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Ashley Elizabeth Kerr |
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| "En la antesala de las sombras" |
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Nadina Estefania Olmedo |
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| Instrucciones para abrir una lata de sardinas: Julio Cortázar y la Patafísica |
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Alejandro Riberi |
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| ÁLVARO MENÉNDEZ LEAL,LO FANTÁSTICO SATÍRICO, ABSURDO Y HUMORÍSTICO |
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Wanda Delgado-Rodriguez |
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| El folletín, entre ciencia ficción y recurso cinematográfico: El hombre artificial de Horacio Quiroga |
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Graciela Sarti |
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| ¿Víctima o heroína?: el caso de "Una tal Raquel" de Nora Glickman |
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Beatriz Loyola |
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| La musa vence a su escultor: el papel surrealista de Susana San Juan en Pedro Páramo |
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Adriana Rojas Campbell |
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| Disyunción de significantes urbanos en La región más transparente de Carlos Fuentes |
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Carmen Patricia Tovar |
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| Argentine Captives and National Purification |
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Carlos Riobó |
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| Reading the Border in 2666 by Roberto Bolaño |
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George Arthur Carlsen |
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| Los espacio en Angosta de Héctor Abad Faciolince: Espejo de la segunda gran violencia en Colombia |
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Jaime A. Orrego |
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| Lucio V. Mansilla, un gaucho dandy |
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Fernando Opere |
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| Un debate fronterizo: Cecilia Valdés de Cirilo Villaverde y La Loma del Ángel de Reinaldo Arenas |
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Rosa Mirna Sanchez |
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| Personajes satélites en “El perseguidor” de Julio Cortázar. |
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Patricia G Montenegro |
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| Un destructor de fronteras: Francisco Maldonado da Silva y su lucha contra la discriminación y la impostura en La gesta del marrano |
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Tony Cella |
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| Chicana Feminist Literature as Identity Formation and Social Protest |
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Kelsey A. White |
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| The Himno Nacional de Chile: A Multinational National Anthem, a “Sonogram” of History |
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Robert A Neustadt |
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| La estética de la violencia y el naturalismo urbano en los cuentos de Guillermo Arriaga |
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Itza A. Zavala-Garrett |
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| Sano y Salvo: Health and the Doctrine of National Security in Carlos Montemayor’s Guerra en el Paraíso |
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Anne Marie Stachura |
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| The Narrative Art of Story-telling in the film Los hombres armados or Men with Guns |
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Connie Green |
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| Condiciones Extremas: multi-temporalidad y procesos de lectura de un hipertexto |
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Eduardo Acuna-Zumbado |
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| Ideología, identidad y praxis de ruptura en la textualidad de Calle 13. Una puesta en escena de lo marginal urbano puertorriqueño y latinoamericano. |
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Gerardo Aguilar Molinari |
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| El tema de la simulación en Gesticulador de Rodolfo Usiglil. |
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Koji Nishida |
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| Marcando la literatura posmoderna: Globalización y tecnología en El delirio de Turing por Edmundo Paz Soldán |
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Steven Clark |
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| “En teniendo se le pagará”: From guilt to debt in Juan Rulfo’s _Pedro Páramo_ and Roberto Bolaño’s _2666_ |
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Alberto Ribas |
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| Herederas de tiempo inmemorial, mujeres de calidad e indias del común: Conflictos identitarios de las mujeres andinas en las crónicas de Indias y en documentos de archivo |
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Sara Vicuña Guengerich |
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| Orphans and Fathers, Ghosts and Monsters: Guillermo del Toro's Monstrous Families |
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Paul M McNeil |
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| Exorcism, Madness, and the Other in Gabriel García Márquez's Del amor y otros demonios |
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Gregory Utley |
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| Madre oprimida, madrastra opresora y hermana liberadora: Figuras femeninas en tres poemas de Aiban Wagua |
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Daniel W. Hopkins |
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| El desafío de la narración interior en Duerme de Carmen Boullosa |
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Esther Sanchez-Couto |
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| La ausencia y su presencia en unos cuentos de Juan Rulfo y José Donoso |
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Chet Halka |
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| In the Name of the...Mother? Sexual Difference and Agency in José Mojica Marin's A Meia-Noite Levarei Sua Alma |
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Lynn Marie Healy |
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| Life on the Border: Rosario San Miguel's Callejon sucre y otros relatos |
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sarah anderson |
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| My family is the culprit: fleeing in Jaime Bayly’s Fue ayer y no me acuerdo |
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Teresa Lorenz |
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| La oposición al fascismo en la prensa afro-uruguaya |
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María Cristina Burgueño |
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| El teatro de Dolores Prida: representación cultural y entretenimiento |
Abstract
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Dolores Flores-Silva |
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| Poetic Rivalry and Competition in Eighteenth Century Peru |
Abstract
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jerry M. Williams |
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| Feminizing the Detective Novel: Nuestra Señora de la Soledad and the Creation of a Critical Feminine Discourse |
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Shalisa M. Collins |
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| El chorro liso: Garcilaso in Lezama Lima |
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Mark Richard Couture |
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| Hidden Knowledge and the Supernatural in Leopoldo Lugones’ “Las Fuerzas Extrañas” |
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Benjamin Ortiz |
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| Perú de beaver board: cinematografía y nación desechable en La casa de cartón de Martín Adán |
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Chrystian Zegarra |
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| The Detective in Hispanic Literature: Transatlantic Perspectives |
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Alrick Clauson Knight, Benigno Trigo, Felipe Gómez, Conxita Domènech, Shalisa Collins |
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| Interpreting the Relationship Between Art and Life: Towards a Construction of Latin American Identity in Alejo Carpentier’s Concierto barroco |
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Alison Heather Atkins |
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| The Eye of the Beholder: Women Latin American Filmmakers and the Cinematic Gaze |
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Yari Perez Marin |
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| Economic Crisis and Identity in Neoliberal Argentina: Claudia Piñeiro’s Las viudas de los jueves |
Abstract
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James M Griesse |
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| "Archival Creation & Production of the Magical Real in Three Stories By Gabriel García Márquez." |
Abstract
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John E. Cerkey |
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| El fracaso del alma ante lo imposible: Primero sueño y Respuesta a sor Flotea como textos complementarios y autorreferenciales |
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Hector N Garza |
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| Shamanism and Myth in Cabeza de Vaca's Naufragios |
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Julia Farmer |
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| Remembering the “desaparecidos”– an investigation of the problematic nature of commemoration and identity in Albertina Carri’s film Los rubios |
Abstract
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Andrea Colvin |
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| “Te quiero mucho, poquito, nada”: representaciones de España en la literatura chicana |
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Ramiro Garcia-Olano |
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| The Spiritual Conquest in Fray Diego de Landa’s Relación de las cosas de Yucatán |
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Alejandro Enriquez |
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| Un momento argentino: la farsa grotesca de la realidad y la ficción |
Abstract
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Eva Paris-Huesca |
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| Coreografías de la independencia en Cecilia Valdés o la Loma del Ángel de Cirilo Villaverde |
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Tatiana A Alekseeva |
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| Análisis de "Tú me quieres Blanca," poema de Alfonsina Storni |
Abstract
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Marcela Lucia Reales |
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| From CADA to the Infrarealists: The Politics of 1970s Performance Poetry Then and Now |
Abstract
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Juliet Lynd |
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| El cronotopo cero en Si volviesen sus majestades de Ignacio Padilla |
Abstract
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Carolina Moctezuma |
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| “Voyeurism in the Puerto Rican Detective Novel,” |
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Benigno Trigo |
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| Hibridación poética en Lezama Lima |
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Fabian Balmori |
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| Teatro latinoamericano y derechos humanos |
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Maria R. Matz |
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| “Entre la verdad absoluta y la insoportable incertidumbre: lealtades y subversiones a la fórmula detectivesca en la novela En busca de Klingsor de Jorge Volpi” |
Abstract
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Raul Diego Rivera Hernández |
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| “El cuerpo de Eva Perón: Una obsesión nacional” |
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Barbara Blithe Ware |
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| “Where the Story Begins: Reinventing Home with ‘Tender Irony’ in Teresa de la Parra’s Las memorias de Mamá Blanca” |
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Catalina Perez Abreu |
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| La poesía de Juan Gustavo Cobo Borda como crítica de la vida cotidiana |
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James Joseph Alstrum |
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| LA MEMORIA TRAUMÁTICA EN LA NARRATIVA DE ROBERTO BOLAÑO |
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Yasmina A Vallejos |
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| Juan Montalvo Fiallos iniciador del modernismo |
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luis antonio aguilar-monsalve |
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| “La experiencia del destierro: extrañamiento y ajenidad de la patria en Exilio.” |
Abstract
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José F. Bañuelos-Montes |
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| El poder y la (de)construcción de los mitos en dos cuentos de Sergio Ramírez: “Charles Atlas también muere” y “El centerfielder” |
Abstract
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Alvaro Torres-Calderon |
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| Verbal Labyrinths: Intertextuality in the Poetry of Iván Carvajal, 1980-2004 |
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Pablo A Martinez |
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| El Periquillo Sarniento: Picardias Ilustradas |
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Gustavo Alberto Flores Villarreal |
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| Finding a Way Home: The Voyage to Cuba in Margarita Engle’s Singing to Cuba and Skywriting |
Abstract
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Graham Ignizio |
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| El género, la revolución y la nación en la obra de Cardenal y Belli |
Abstract
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Alan Patrick Watts |
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| Entre la mueca y la risa: santos y demonios en la sociedad novohispana en Ángeles del abismo de Enrique Serna. |
Abstract
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Dolores E. Rangel |
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| ONETTI: FLUJOS BARROCOS DE DESEO ESTETICO |
Abstract
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Pablo Alberto De Cuba Soria |
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| La topografía imaginaria en Tierra de nadie |
Abstract
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Oscar Berrio |
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| “Las aguas del recuerdo: espacio, imaginación y repeticiones en ‘La casa inundada’ de Felisberto Hernández” |
Abstract
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Roberto Eduardo Weiss |
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| La función de la música en Onetti |
Abstract
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Diane M. Rolnick |
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| La estética de la enfermedad en la narrativa de Onneti |
Abstract
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julio cesar aguilar |
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| There's No Place Like Home: Nationalist Messages in Mexican Film of the Border |
Abstract
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Victoria Jeanne Martinez |
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| Altazor de Vicente Huidobro y el desarrollo de la consciencia del lector |
Abstract
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Ken Martin |
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| Borges, Piglia y la Muerte del Arte. Algunas preguntas a partir "Pierre Menard, autor del Quijote". |
Abstract
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Anibal Maximiliano Sanchez |
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| Borges and Detective Fiction: A New Paradigm |
Abstract
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Lourdes I. Torres |
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| Huyéndole al padre: discurso sexual y de escape del control patriarcal |
Abstract
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Alannah Ari Hernandez |
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| International Affairs: Post-colonial Allegory in Fernando del Paso’s Linda 67: Historia de un crimen. |
Abstract
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Alex Holland |
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| We are in Kansas now: Reading the American Heartland in Spanish-speaking literature at the end of the 20th century |
Abstract
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Miguel González-Abellás |
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| La guerra del fin del mundo de Mario Vargas Llosa y el proyecto de construcción de una nación |
Abstract
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Antonio Medina-Rivera |
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| “Whose Hell Is This? Literary Appropriations of the Popol Vuh in Luis de Lión’s El tiempo principia en Xibalbá and Franz Galich’s Huracán corazón del cielo” |
Abstract
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Joel T. Postema |
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| LA VELOCIDAD, LA VIOLENCIA URBANA Y LOS “NO LUGARES” EN LA POESÍA VENEZOLANA RECIENTE |
Abstract
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Arturo Jose Gutierrez-Plaza |
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| (Pseudo) Scientific Character Creation in Horacio Quiroga’s “El vampiro”: Capturing Life on the Big Screen |
Abstract
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Amy Frazier-Yoder |
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| REDEMPTION SONG: MAYRA MONTERO, TÚ, LA OSCURIDAD |
Abstract
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Sheree Henlon |
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| La incorporación del Oriente al imaginario nacional ecuatoriano: Juan León Mera y el Catecismo de Geografía (1874) |
Abstract
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ALEJANDRA ZAMBRANO |
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| Cuban Feminism and (Anti-)Lesbian Politics: Mariblanca Sabas Alomá |
Abstract
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Kristie Soares |
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| Goddess as Weaver and Engendering God: Creation of Text and World in a Poem by Rosario Castellanos |
Abstract
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Timothy Ambrose |
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| Defensoras de su sexo: Caracterización de la mujer en La Quijotita y su prima |
Abstract
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Makenzie Marie Seiple |
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| PERFORMING VIOLENCES: LA PRUEBA DE CESAR AIRA |
Abstract
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Ana Baez |
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| Una genealogía del narcomundo y héroe degradado en El amante de Janis Joplin de Élmer Mendoza |
Abstract
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Jungwon Park |
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| La influencia del periodismo en la obra literaria de Juan Carlos Onetti |
Abstract
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Jose Miguel Muniz-Apresa |
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| Dos escritores que bustrofean el Caribe: a través de su lengua porosa |
Abstract
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tania carrasquillo hernández |
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| Spain in the Poetry of José Emilio Pacheco |
Abstract
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Ron Friis |
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| La estética de la violencia y el naturalismo urbano en los cuentos de Guillermo Arriaga |
Abstract
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Itza A. Zavala-Garrett |
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| fronteras Americanas en la obra de Miguel Delibes |
Abstract
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Javier Torre |
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| Hacia un análisis de los motivos culinarios del “Descubrimiento” de América |
Abstract
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Maria Ines Ortiz |
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| “Guillermo del Toro’s Borderless Imagination: Mexican Horror/Fantasies for a World-Wide Community.” |
Abstract
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Gerardo Tonatiuh Cummings |
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| Instrucciones para abrir una lata de sardinas: Julio Cortázar y la Patafísica |
Abstract
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Alejandro Riberi |
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Spanish Peninsular
| La cuestión de autoría de La universal redención |
Abstract
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William R. Cummins |
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| Calderón: desdoblamiento social y de genero en el disfraz femenino en La dama duende y Eco y Narciso |
Abstract
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Jessica Jazmin Sanchez |
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| Mirroring Ourselves: The Neuronic Dynamic of Actor/Spectator, Character/Reader |
Abstract
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Nathan Mehr |
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| Comedy as Control: Effeminacy, Hyper-Masculinity and Lesbian Desire in Tirso de Molina’s El Aquilis |
Abstract
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Mary B Daniels |
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| A Proto-National Subject and a Mercantile Ideology in Early Modern Spain. |
Abstract
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Francisco Jose Sanchez |
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| A Salute to the Jolly Roger: Implementation and Reason for the Pirate Flag in Vázquez-Figueroa’s Piratas |
Abstract
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Natalie Jane McManus |
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| El púlpito del siglo XVI: una respuesta ascético-barroca contra la injusticia social |
Abstract
|
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Carmen Maria Grace |
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| Angels, Demons, and Autobiographical Self-Fashioning in Jerónimo de Pasamonte's Vida y trabajos |
Abstract
|
|
Faith S. Harden |
|
| Sexual Imagery as Unifying Factor in Razón de amor y los denuestos del agua y el vino |
Abstract
|
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Connie L Scarborough |
|
| An Interdisciplinary Approach to Cantigas de Santa María |
Abstract
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|
Marianella Perpetua Machado |
|
| "Artistry and Reality in the Cantigas de Santa Maria: Cantiga 323" |
Abstract
|
|
Kathleen k kulp-hill |
|
| "The Great Miracle of the Road": Five Iberian Versions |
Abstract
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|
Richard Terry Mount |
|
| The Ties that Bind: Children in the Cantigas and the Partidas of Alfonso X |
Abstract
|
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Annette Grant Cash |
|
| Ribadaneira's Hagiography of Ignatius: a Manual of Imitation for Everyday's Life |
Abstract
|
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Frederic Conrod |
|
| Autobiografías de cautivos en Berbería: la (re)creación del sujeto entre la cotidianidad y lo extraordinario |
Abstract
|
|
Ana Maria Rodriguez-Rodriguez |
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| Domestic Animals in Sixteenth- and Seventeenth-Century Spain |
Abstract
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John Beusterien |
|
| Quotidian matters. Uses of the everyday in Carvajal and Zayas. |
Abstract
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|
Noelia Sol Cirnigliaro |
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| Mahoma, ¿"profeta muy honrrado" o "traedor prouado"? (Libro de Alexandre, v. 2510d) |
Abstract
|
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Pablo Ancos |
|
| The Image of the Conqueror in the Cantar de Mio Cid and the Libro de Alexandre |
Abstract
|
|
Michael P Harney |
|
| The idea of evolution in thirteenth-century Iberian historiography |
Abstract
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Jose Javier Puerto |
|
| No fiar en el papel: Texto e imaginación en El nuevo mundo descubierto por Cristóbal Colón de Lope de Vega |
Abstract
|
|
Carl Wise |
|
| God's Gift: Anxious Reciprocities in Lope de Vega's La Dorotea |
Abstract
|
|
Sarah Bogard |
|
| La autoridad desmantelada en "Los enemigos en casa" de Lope de Vega |
Abstract
|
|
Judith Garcia-Quismondo |
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| Muéstrame tus cartas y te diré quien eres |
Abstract
|
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Lauren Klos |
|
| La armadura en el espejo: Encuentro de don Quijote y Cardenio o la construcción especular de la identidad del héroe en el episodio de Sierra Morena (I, 23-26) |
Abstract
|
|
Carlos Ernesto Yushimito del Valle |
|
| Flying Horses and Talking Heads: The Transactive Reading Experience in Don Quijote, Part II |
Abstract
|
|
Theresa Marie McBreen |
|
| More on the Narrator in Don Quijote |
Abstract
|
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Tom Lathrop |
|
| “Truhanes: Don Quixote and Sancho as jesters and the jested” |
Abstract
|
|
Scott Youngdahl |
|
| We are all Cousins?: Isabel de Zuazo’s Life and Times and the Beginning of the Printing Press in Segovia |
Abstract
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|
Jorge W. Suazo |
|
| Tragedy as Genre: The Celestina and Oedipus Rex; Archetypes of Tragedies from Two Ages. |
Abstract
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Liesder Mayea |
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| From Bathos to Pathos: Laughing and Falling in La Celestina |
Abstract
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Rachel Knighten |
|
| Boscán & Garcilaso: las lecturas de una amistad poética. |
Abstract
|
|
José Antonio Rico |
|
| Making the Familiar Strange: Orientalism and Juan Andrés’ Confusión o confutación de la secta Mahomética y del Alcorán (1515) |
Abstract
|
|
Jason David Busic |
|
| WOMEN AND RHETORIC IN DON QUIJOTE |
Abstract
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Matthew Wyszynski |
|
| Todo sobre mi padre: The Deconstruction of Hegemonic Masculinity in Cervantes and Bunuel |
Abstract
|
|
Jennifer E. Barlow |
|
| La denuncia de los autos de fe en el discurso de la bruja Cañizares en el Coloquio de los perros de Miguel de Cervantes |
Abstract
|
|
Francisco B. Garcia-Rubio |
|
| Money Matters: Pearls in Cervantes’ Los trabajos de Persiles y Sigismunda |
Abstract
|
|
Sharon Eadie Knight |
|
| Sangrías textuales y corporales en los Desengaños amorosos de María de Zayas |
Abstract
|
|
Elena Rodriguez-Guridi |
|
| Recasting the Crescent Moon: (Mis)representing Islam in Pérez de Hita’s "Guerras civiles de Granada." |
Abstract
|
|
Zane Ulysses Segle |
|
| "Medieval Passing: Questions of Converso Identity in Andrés de Li’s Summa de paciencia (1493) and Thesoro de la passion (1494)” |
Abstract
|
|
Laura Delbrugge |
|
| “Who’s passing in the Lazarillo?” |
Abstract
|
|
Sean McDaniel |
|
| Fray Luis de León and Masculine Anxiety |
Abstract
|
|
Daniel Hartnett |
|
| La orientalización de Galicia en “La mayorazga de Bouzas” de Emilia Pardo Bazán |
Abstract
|
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Carmen Pereira |
|
| Lorca in the English Lake District. Theatre Workshop's 'Amor de don Pelimplin con Belisa en su jardin', 1945. |
Abstract
|
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Derek Henry Gagen |
|
| Ed Stanton Session |
Abstract
|
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Veronica Dean-Thacker |
|
| Violencia en el escenario: la representación de la guerra en el teatro del Siglo de Oro |
Abstract
|
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Santiago García-Castañón |
|
| Ed Stanton Session |
Abstract
|
|
Alejandro Palma Castro |
|
| El amigo de los poetas |
Abstract
|
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German Yanke |
|
| “Cada espíritu es un libro”: Literatura espiritista y feminismo en la España de fin de siglo |
Abstract
|
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Alicia Cerezo-Paredes |
|
| Emilia Pardo Bazán's Critique of Tolstoy: Heroism, Normality, and Femininity |
Abstract
|
|
Denise Lorraine DuPont |
|
| Scissors and Hemlines: The New Woman, the New Century in Pardo Bazán’s Journalism |
Abstract
|
|
Lisa Nalbone |
|
| "Ya no hay muchachas." Aristocracia caduca y mujer moderna en Cuesta abajo de Emilia Pardo Bazán |
Abstract
|
|
Margot Versteeg |
|
| Imaginería aurisecular en el teatro posromántico español. |
Abstract
|
|
Jorge Aviles-Diz |
|
| From Rebellion to Remorse: Duque de Rivas’s Lanuza and Don Álvaro o la fuerza del sino |
Abstract
|
|
Christine Leigh Blackshaw |
|
| Orphaned and Illegitimate Children in Select Plays by Joaquín Dicenta |
Abstract
|
|
Leticia McGrath |
|
| Ed Stanton Session |
Abstract
|
|
Maria Auxiliadora Alvarez |
|
| Ed Stanton Session |
Abstract
|
|
Jose Antonio Fabres |
|
| Ed Stanton Session |
Abstract
|
|
Juan Carlos Galeano |
|
| Ed Stanton Session |
Abstract
|
|
Martha Ojeda |
|
| “La escritura subversiva de Pardo Bazán: el Naturalismo “anti-natural” feminista.” |
Abstract
|
|
Bohumira Smidakova |
|
| Diabetes and the Body Politic in Emilia Pardo Bazan's El cisne de Vilamorta |
Abstract
|
|
Anne Wyly Gilfoil |
|
| Spanish Orientalism and the Negotiation of Racial Tensions in Insolación |
Abstract
|
|
Rogelia Lily Ibarra |
|
| Spanish Orientalism and the Negotiation of Racial Tensions in Insolación |
Abstract
|
|
Rogelia Lily Ibarra |
|
| La liminalidad y su significado en Insolación de Emilia Pardo Bazán |
Abstract
|
|
Vicente Gomis-Izquierdo |
|
| La presencia de Emilia Pardo Bazáb en las obras de Miguel de Unamuno |
Abstract
|
|
Ruben Rodriguez-Jimenez |
|
| Jovelllanos: individuo, razón y subjetividad masculina |
Abstract
|
|
Beatriz Celaya Carrillo |
|
| A Celebration of Male-Male Love: Manuel María de Mármol’s _Romancero o pequeña colección de romances_ |
Abstract
|
|
Mehl Allan Penrose |
|
| Queering la mirada en La madre naturaleza de Emilia Pardo Bazán |
Abstract
|
|
Morgan Zippin Fisher |
|
| The Anthropological Imagination: Cultural Analysis of Female Sexuality, Fact or Fiction? |
Abstract
|
|
Sarah Sierra |
|
| REINTERPRETING HYSTERIA UNDER PATRIARCHY IN EMILIA PARDO BAZÁN’S “LA NOVIA FIEL” AND “UN ERROR DE DIAGNÓSTICO” |
Abstract
|
|
Jennifer Lynn Smith |
|
| “Entre lo impreso y la realidad hay pared”: La mediación del discurso genésico a finales del XIX |
Abstract
|
|
Erika Maurine Sutherland |
|
| Mesonero y la modernidad: el ritmo de la vida urbana en los articulos del Curioso Parlante |
Abstract
|
|
Ramon Enrique Espejo-Saavedra |
|
| Weather in Clarín's La Regenta |
Abstract
|
|
Anna Banerjea |
|
| Romanticismo y tropicalismo: el oriente marítimo de Francisco Mourelle. |
Abstract
|
|
José M García-Sánchez |
|
| Haunted Modernity: A Case Study of Galdos's Fantastic Fiction |
Abstract
|
|
Wan Sonya Tang |
|
| La crítica de una nación en la literatura de viajes del XVIII |
Abstract
|
|
Maria Nieves Pujalte |
|
| El río de Larra: la opresión del poder, o la guía del orden |
Abstract
|
|
Gregorio C. Martin |
|
| “La visualización de la sátira: los grabados joco-serios en el Fray Gerundio (1837-1842)” |
Abstract
|
|
monica fuertes-arboix |
|
| Commodity Fetishism: Relations Between Things in Lucía Etxebarria’s Amor, curiosidad, prozac y dudas |
Abstract
|
|
Sharon Kay Pritchett |
|
| Elementos clasicistas en la representación del héroe fascista en "La vida de Pedrito Andia" y "Madrid de Corte a checa" |
Abstract
|
|
Mikel Arza |
|
| Nibbling Away at Exile: Eating and Authority in Unamuno and Pindar |
Abstract
|
|
Curtis Wasson, Curtis Wasson |
|
| The Surreal and the Sublime: Salvador Dalí, Juan de Arguijo and the Myth of Narcissus |
Abstract
|
|
Michael Joseph McGrath |
|
| Mi esposo el poderoso: La Penélope de Buero Vallejo y la Jimena de Gala |
Abstract
|
|
Karen Lynn Eskesen |
|
| Counter-utopia and Anti-epic History Writing in Gabriel Miró’s El abuelo del rey" |
Abstract
|
|
Álvaro Antonio Ayo |
|
| The Representation of the Woman as a Dangerous Erotic Force in José Díaz-Fernández’s *El blocao* |
Abstract
|
|
Lauren Applegate |
|
| “Las tinieblas de tu memoria negra como novela de no-aprendizaje” |
Abstract
|
|
Juan De Urda |
|
| “Una inserción del exilio republicano español en el postcolonialismo africano: ‘Bajo la piel’ de Arturo Barea”. |
Abstract
|
|
Natalia Pelaz-Escribano |
|
| Double Agents, a Dean, and Death: Representations of the Spanish Post-War in Two of Gonzalo Torrente Ballester's Later Novels |
Abstract
|
|
Keith Anthis |
|
| Gonzalo Torrente Ballester: el humor negro de la novela negra |
Abstract
|
|
Santiago Morales-Rivera |
|
| A Humorous Memoir of Francoist Childhood: El florido pensil. Memoria de la escuela nacionalcatólica |
Abstract
|
|
Miaowei Weng |
|
| Fortunata y Jacinta (1979-1980) by Mario Camus : Women in the Time of Change |
Abstract
|
|
Heeju Han |
|
| Manifiesto Canción del Sur. Análisis dialógico de la lírica popular andaluza |
Abstract
|
|
jose luis morillo |
|
| San Manuel Bueno, mártir y el Nuevo Testamento |
Abstract
|
|
Thomas Rudy Franz |
|
| Unamuno's Faith and Kierkegaard's Religiousness A: Making Sense of the Life of Struggle |
Abstract
|
|
Jan E Evans |
|
| Interpreting Unamuno’s Quixotism as a Religion |
Abstract
|
|
Mariana Alessandri |
|
| Bad Education: The Philosophical Origins of Unamuno’s Amor y pedagogía |
Abstract
|
|
Brian James Cope |
|
| Illusions of Love and Empire in Valle Inclán's Sonata de estío |
Abstract
|
|
David W Wood |
|
| Los innumerables relatos de la historia: El dos de mayo en la novelística española actual. |
Abstract
|
|
Antonio Dorca |
|
| Mapa transatlántico de irreverentes ficciones: una “nueva generación” escribe sobre traumas históricos |
Abstract
|
|
Edurne Portela |
|
| El espacio del discurso metacultural |
Abstract
|
|
Steven Torres |
|
| La supermodernidad y la reproducción de su espacio en la narrativa española contemporánea. |
Abstract
|
|
Palmar Alvarez-Blanco |
|
| Internationale Situationniste y la Escuela de Barcelona: Un encuentro urbano en Noche de vino tinto de José María Nunez |
Abstract
|
|
Andrea M castelluccio |
|
| Monserrat Roig’s Ramona, adios: Out of the Eixample and into New Territory |
Abstract
|
|
Ali Tatum-Davis |
|
| La ciudad: Madrid y Tetuán en Aita Tettauen y El blocao |
Abstract
|
|
Ana Maria Requena |
|
| La construcción ideológica de las tres Españas a través del espacio en Madrid de Corte a Checa de Agustín de Foxá |
Abstract
|
|
Sonia Zarco-Real |
|
| Antoni Tàpies: un "mundo-post" para el siglo XXI |
Abstract
|
|
Heike Scharm |
|
| Bourriaud’s Radicant Art and the new Penisular literary trends |
Abstract
|
|
MARTA DEL POZO |
|
| In Memoriam: Subjectivity and Fatality in Javier Marás' Tu rostro mañana |
Abstract
|
|
Eli Evans |
|
| Meet the Nihilists: The Destruction of the Contemporary Spanish Family in Pedro Aguilera’s La influencia (2007) |
Abstract
|
|
Amy L. Saar |
|
| Discursos metanarrativos en Tesis de Alejandro Amenabar |
Abstract
|
|
isabel durocher |
|
| I Am Guilty of My Own National Identity |
Abstract
|
|
Constantin Cristian Icleanu |
|
| Mortal de necesidad: la palabra de Alberto Méndez |
Abstract
|
|
José Domínguez Búrdalo |
|
| Spirit and Specter: Republican Ghosts in Post-Civil War Madrid in Juan Eduardo Zúñiga’s “Camino del Tibet” |
Abstract
|
|
Richard Sperber |
|
| Textos despolitizados como lugares de memoria de la Guerra Civil Española |
Abstract
|
|
Shelly Marie Hines-Brooks |
|
| The Ever Present Past: Historical Ethics in the Journalism and Fiction of Isaac Rosa |
Abstract
|
|
Christian Cousins |
|
| “New Families: Alternative parenthoods in Ángela Vallvey’s Los estados carenciales” |
Abstract
|
|
Tiffany Gagliardi Trotman |
|
| En busca de modelos alternativos de maternidad a través de la historia colectiva: |
Abstract
|
|
M Nieves Alonso Alamgro |
|
| ¡Madre sólo hay una! ¿De veras? |
Abstract
|
|
Jacky Ann Collins |
|
| The Absent Father, the Monstruous Mother and the Disembodied, Dionysian Son: Leopoldo María Panero, the Spanish Catholic Family and Body Politics |
Abstract
|
|
Alyssa M. Holan |
|
| "Interculturalism and the Future of the Spanish Family in Flores de otro mundo (1999) and Te doy mis ojos (2003)" |
Abstract
|
|
Sam Amago |
|
| El último patriarca by Najat El Hachmi: Immigrant Identities in Spanish Fiction |
Abstract
|
|
Katy Bourland Ross |
|
| ¿La imposibilidad de la absoluta felicidad? El ideario del amor y la complejidad de lo sexual en Castillos de cartón (2004) de Almudena Grandes |
Abstract
|
|
Agustin Martinez-Samos |
|
| Rosa Montero’s Instrucciones para salvar el mundo: Will they work for you? |
Abstract
|
|
Kathleen Thompson-Casado |
|
| ¿Es Arturo Pérez-Reverte un escritor machista?: las mujeres revertianas los tienen bien puestos |
Abstract
|
|
Jorge Munoz Ogayar |
|
| Realidad e irrealidad: Recuerdos, alucinaciones y percepciones en “Volver” |
Abstract
|
|
Efrain E Garza |
|
| Nationalism, Gender, and Social Class in Spain around 1900 |
Abstract
|
|
Carlos Barriuso |
|
| Suggestive Characters: Pseudoscience in Blanca de los Ríos’s Las hijas de Don Juan |
Abstract
|
|
Ryan A. Davis |
|
| Modernidades antimodernas: utopia nostalgica en "La guerra carlista," de Ramon del Valle-Inclan. |
Abstract
|
|
Eduardo Gregori |
|
| La poesía testimonial de Celso Amieva |
Abstract
|
|
José Ignacio Alvarez Fernández |
|
| El futurismo agónico en la poesía de Miguel Hernández |
Abstract
|
|
Luis Martín-Estudillo |
|
| Miguel Hernández: pueblo, poesía, dolor y guerra |
Abstract
|
|
German Lorenzo-Ayala |
|
| Linguistic Passing in Juan Marsé's El amante bilingüe |
Abstract
|
|
Dawn Smith-Sherwood |
|
| Cataluña y el mestizaje histórico: la conferencia de 1994 del poeta José Agustín Goytisolo. |
Abstract
|
|
Jaime Maria Ferran |
|
| Almería desierta en el “marmitako” western 800 Balas (2002) de Alex De la Iglesia |
Abstract
|
|
Jorge González de Pozo |
|
| Franco como voz narrativa en Autobiografía del general Franco de Manuel Vázquez Montalbán |
Abstract
|
|
Isaac Rivera Campos |
|
| Knowing Carmen Laforet: _Música blanca_ by Cristina Cerezales Laforet |
Abstract
|
|
Mark P. Del Mastro |
|
| Ghosts, Masculinity, and Nationalism in Jon Juaristi’s Cambio de destino. Memorias. |
Abstract
|
|
Stephanie Ann Mueller |
|
| Gloria Fuertes’s Postista Adventure |
Abstract
|
|
Sylvia R. Sherno |
|
| "Las múltiples facetas de la ecología en la poesia ultima de Gloria Fuertes" |
Abstract
|
|
Douglas K. Benson |
|
| Gloria Fuertes’s Radical Sublimation of the Spinster Stereotype |
Abstract
|
|
Jasmina Arsova |
|
| "La heteronormatividad en la obra surrealista de Garcia Lorca" |
Abstract
|
|
Carlos Jerez-Farran |
|
| La re-apropiación paródica de la historiografía española contemporánea: Una lectura queer de Recóndita armonía |
Abstract
|
|
Maria Y Moreno-Florido |
|
| Exploring Female Homosociality on Stage: The Inverted Erotic Triangle in Paloma Pedrero’s Color de agosto (1989) and Locas de amar (1992) |
Abstract
|
|
Tracie Noelle Amend |
|
| The Opera in Twentieth-Century Catalan Women’s Literature: La passió segons Renée Vivien, Mary Stevenson Cassatt and Genealogies of Excess |
Abstract
|
|
Melissa McCarron |
|
| Containing Masculinities in Transition: Tiptoeing around Homosexuality in Un hombre llamado Flor de Otoño |
Abstract
|
|
Ana M Vivancos |
|
| Esterilidad femenina, reproducción asistida e identidad en Mariposas en el estómago de Leticia Sigarrostegui |
Abstract
|
|
DAMARYS LOPEZ |
|
| Mas allá de las palabras: juego metafórico y travestismo en la novela de Rosa Montero, Historia del rey transparente. |
Abstract
|
|
Sara Fernandez-Medina |
|
| Técnicas utilizadas por Javier Marías en su novela de Oxford |
Abstract
|
|
Maria Sergia Steen |
|
| No me llames cariño, rastros de metaficción e intertextualidad |
Abstract
|
|
monica florez |
|
| La ética de lo imaginativo: memoria y religión en 'El lápiz del carpintero', de Manuel Rivas |
Abstract
|
|
Daniel García-Donoso |
|
| DESMEMORIA E IGLESIA DISIDENTE EN PLENILUNIO |
Abstract
|
|
Maria Pilar Villodre |
|
| La noche de los Cuatro Caminos: el maquis urbano en la novela de Andrés Trapiello |
Abstract
|
|
Juan Carlos Martin |
|
| Brechtian Estrangement in Sanchis Sinisterra’s Terror y miseria en el primer franquismo |
Abstract
|
|
Jerelyn Johnson |
|
| La reescritura de “las trece rosas”; el ansia inagotable de reivindicación. |
Abstract
|
|
Maria Luisa Fernandez Martinez |
|
| Gloria Fuertes y las retóricas de lo cotidiano |
Abstract
|
|
Antonio Candau |
|
| The Privileging of Sound in the Poetry of Gloria Fuertes |
Abstract
|
|
Sharon Keefe Ugalde |
|
| Ética y estética en la poesía infantil de Gloria Fuertes |
Abstract
|
|
Maria Paz Moreno |
|
| Aviators, Apaches and Cowardly Toreros: Don Juan Tenorio in the Twentieth Century |
Abstract
|
|
Jeffrey T. Bersett |
|
| “Mujer, poder y teatro histórico en la dramaturgia de Concha Romero y Carmen Resino” |
Abstract
|
|
Cristina Casado Presa |
|
| Doña Rosita: An anomaly? |
Abstract
|
|
Francesca Colecchia |
|
| “Divine words?” : Interrogating the Speech Acts and Manipulated Communication in Valle-Inclán’s Divinas palabras |
Abstract
|
|
Laura Cade Brown |
|
| The Irruption of the New: Guillermo de Torre's "Tech-neologisms |
Abstract
|
|
Juli Highfill |
|
| Lorca en la obra de Antonio Gamoneda: una presencia polifacética |
Abstract
|
|
Patricia Fitzpatrick |
|
| Luis Cernuda y Jenaro Talens en el panorama del poema en prosa español: un estudio en torno a sus poéticas |
Abstract
|
|
Cynthia M. Pena |
|
| "Eloy Sanchez Rosillo, poeta elegiaco" |
Abstract
|
|
Eloy Urroz |
|
| La Casa Roja de Juan Carlos Mestre |
Abstract
|
|
Andres Simonelli Fisher |
|
| La novela española en el mercado global: el caso del best-seller. |
Abstract
|
|
Virginia Ruifernandez |
|
| Alaska en Madrid: la identidad como producto en el mercado de la España democrática |
Abstract
|
|
Luis García-Torvisco |
|
| “Nostalgia and the Print Era in Carlos Ruiz Zafon’s La sombra del viento" |
Abstract
|
|
Andrew J. Deiser |
|
| Behind Enemy Lines: Maruja Torres Reports from Celebrity Hotspots in Hogueras de agosto |
Abstract
|
|
Haley O'Neil |
|
| “La visualización de la sátira: los grabados joco-serios en el Fray Gerundio (1837-1842)” |
Abstract
|
|
monica fuertes-arboix |
|
Italian Studies
| Anglicisms in the Kitchen: Inventory and Analysis of Culinary Terminology in the Magazine Cucina Moderna |
Abstract
|
|
C. Cecilia Tocaimaza-Hatch |
|
| A leopard among jackals: Prince Fabrizio in Tomasi di Lampedusa's Gattopardo |
Abstract
|
|
Tiziano cherubini |
|
| Traslazioni simboliche ne Il Giardino dei Finzi-Contini: spazi e luoghi dal romanzo al film |
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Sara Mattavelli |
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| Giocare e sorridere per sopravvivere ne La vita è bella. |
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Renata Palermo |
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| Giordano and “The Solitude of Prime Numbers”: an astonishing debut. |
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giovanni migliara |
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Language Technology
| Designing and Teaching a Hybrid Course: Third-year Spanish Grammar |
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Adolfo Ausín, Carmen Ruiz-Sanchez |
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| Apocalypse Now? : Emerging Technologies and their Pedagogical Implications in the Humanities. |
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Michael Burriss |
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| Videogames to teach and learn a language: how to create them and how to use them |
Abstract
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andrea carosso |
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| Imagery creativity, technology and language acquisition |
Abstract
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Julia R Coll |
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| Assessing Reading Comprehension at the Upper Level Language Classes with Online Surveys |
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María Fidalgo-Eick |
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| Online resources for translators and interpreters |
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Iria Gonzalez Liaño |
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| The use of Wimba to enhance oral interaction in the online environment |
Abstract
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Claudia Guidi |
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| Who Blogs? Examining the Role of Personality in Cross-Cultural Blogging Assignments |
Abstract
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Linda Carol Jones |
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| TEACHING A FOREIGN LANGUAGE IN A VIRTUAL WORLD – CONNECTING THEORY WITH PRACTICE |
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Regina Kaplan-Rakowski |
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| A Model for Interactive Video to teach French Culture |
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Duane W. Kight |
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| What is the Web 1.0 to 4.0 and how will the development of the Web affect language learning? |
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Mikle D Ledgerwood |
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| Communicative Enhancement through Java-based WebCALIS, MySQL, and Digital Recorders |
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Tom Leech, Jason Daniels |
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| Rhizomes, databases and language-learning |
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Andrew Lian |
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| Pronouncing French clearly |
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Nathan L. Love |
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| Incorporating Electronic Portfolio Assessment into the Foreign Language Classroom |
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Erin Mitchell |
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| The Digital Natives Are Restless: The Promise and Predicament of Technology-Enhanced Language Learning |
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Sue Otto |
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| Teaching Culture in Flux: Florian Thalhofer’s “Mauerexpedition” and “1000stories” in the German Language Classroom |
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Sylvia Rieger |
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| The Pedagogy of Hypermedia in Second Language Vocabulary Learning. |
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Hind Rmail |
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| Languages in the Crosshairs: Fighting Cuts with Technology |
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Jeff S. Ruth |
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| Information – in your language: The Rosetta Foundation |
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Reinhard Schaler |
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| The Muses go to the Movies: A Tech-enhanced Approach to Teaching the Genres |
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Sara Villa |
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| The elite-training facilities in the Third Reich represented in Modern German Cinema |
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Franz-Joseph Wehage |
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| This summer I went on a trip to…Using Digital Storytelling to Illustrate Culture and Foster a Community of Language Learners |
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Jessica Marie Williams |
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| Can Language Learners' Autonomy be Promoted through Blogging? |
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Nurenzia Yannuar |
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Second Language Acquisition
| What "That's not what I meant to say" tells us about learner speech errors and feedback. |
Abstract
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Dyana Ellis |
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| Acquisition of FTAs in Study Abroad |
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Marta Vacas Matos |
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| The Acquisition of a Morphosyntactic Variable in Spanish: The Analytic and Synthetic Forms of Present Progressive Aspect |
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Stephen Fafulas |
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| SYNTACTIC DEVELOPMENT OF THE SPANISH SUBJUNCTIVE IN SECOND |
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Laurie A. Massery |
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| Truth, Style, and Audience: A L2 Writer’s ‘Reduced’ Voice in Writing |
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Soomin Jwa |
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| The Oral Approach in the acquisition of Spanish pronunciation: Issues in pedagogy. |
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Marta Giralt |
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| Teaching Spanish as a foreign language to very young learners |
Abstract
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Ana Vargas |
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| Cognitive Grammar for teaching Spanish as a foreign language |
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Alfonso Hernández |
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| Pragmatics for teaching Spanish as a foreign language: the case of discourse markers. |
Abstract
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Cristina Corral |
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| A RESTRUCTURING PROCESS IN THE COMPUTATION OF VERBAL MORPHOLOGY BY SPANISH L2 LEARNERS |
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Juan Pablo Rodríguez |
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| Spanish gender agreement in advanced heritage and L2 learners: An E-prime experiment |
Abstract
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Irma Verónica Alarcón |
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| The cognitive pre-task planning process and second language proficiency |
Abstract
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Pannathon Sangarun |
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| CALL for a Princess: Developing and Implementing an Online French 101 Course |
Abstract
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Michael Christopher Foster |
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| Second language acquisition and service-learning |
Abstract
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Monica Marcos-Llinas |
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| Language Learner Strategies for Early Language Acquisition |
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Kathy Barton, Diane Ceo-DiFrancesco |
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| The Challenges of Literacy Development in General-Education Courses: A Synthesis of Activity Theory and Genre Systems Theory |
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Carlos Arturo Yanez |
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| The relationship between filled pauses and clause type in the oral speech production of second language learners across three different learning contexts |
Abstract
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Lorenzo José García-Amaya |
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| Distinction between aspects in Spanish oral narratives: Variations among different levels of proficiency |
Abstract
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Tatiana Artamonova |
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| Non-verbal Communication in SLA of Chinese |
Abstract
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Haiyong Liu |
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| When basic is no longer basic: Rethinking the first year Spanish language curriculum |
Abstract
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Regina Roebuck, Melissa Groenewold |
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| From Conversation to Compostion: Creating Communicative Contexts for Global Competence |
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Levilson C. Reis |
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| The Poetics of Reading Comprehension: Using Poetry in Beginning-Level Spanish |
Abstract
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Herbert John Brant |
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| APPLYING MI THEORY TO ELEVATE LOW ENGLISH PROFICIENCY IN STUDENTS AT INSTITUTES OF TECHNOLOGY |
Abstract
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Yi-chun Pan |
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| Is metalinguistic stimulated recall reactive in second language learning? |
Abstract
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Takako Egi, Rebecca Adams, Ana-Maria Nuevo |
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| Task-based Negotiated Interaction in a Computer-Mediated Environment |
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Ali Hussain AlBulushi |
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| Method of Instruction and Time of Day in the Intermediate Community College Spanish Class |
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David L Coberly |
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| Improving Arabic ESL Students' Writing Mechanics-An Action Research |
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Lili GAI |
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| Analysis of vocabulary frequency in foreign language textbooks |
Abstract
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Colleen Neary-Sundquist |
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| Title: Introduction to Visible and Invisible Ideologies in Language Policies and Classroom Practices |
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Linda R. Waugh |
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| Teachers' Voices: Their perceived ideologies in educational policies for English as a Foreign Language instruction |
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Helena Guerrero |
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| Perpetuation of the standard language ideology in the Spanish heritage classroom |
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Kelly Lowther Pereira |
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| Invisible bilingualism: Breaking visible nationalist ideological boundaries in an English L2 classroom |
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Bryan Meadows |
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| Crouching Multiculturalism Hidden Monoculturalism: Cultural Authenticity and Accuracy in Hanguel’s Representations in Korean-American Picture Books. |
Abstract
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Yoo Kyung Sung |
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| The Effect of Explicit and Implicit Corrective Feedback on EFL Learners' Phonological Errors: Immediate and Delayed Uptakes |
Abstract
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Mahnaz Saeidi |
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| Cognitive grammar for teaching Spanish as a foreign language |
Abstract
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Alfonso Hernández Torres |
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| Teaching Spanish as a foreign language to very young learners |
Abstract
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Ana Vargas |
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| When basic is no longer basic: Rethinking the first year Spanish language curriculum |
Abstract
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Melissa Groenewold |
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| Is metalinguistic stimulated recall reactive in second language learning? |
Abstract
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Ana Maria Nuevo |
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| Is metalinguistic stimulated recall reactive in second language learning? |
Abstract
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|
Rebecca Adams |
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| Pragmatics for teaching Spanish as a foreign language: the case of discourse markers |
Abstract
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Cristina Corral |
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| The acquisition of variation in second language Spanish: How to identify and catch a moving target |
Abstract
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Kimberly Geeslin |
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Russian/Slavic Studies
| “The Animal's Word and the Animal as Word in Vladimir Mayakovsky’s Poetry” |
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Katherine Marie Lahti |
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| Rex Lee Jim’s 'Mouse that Sucked': On iconicity, interwoven-ness, and ideophony |
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Anthony K. Webster |
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| The ideology of ideophones: Sound symbolism and cultural politics in the poetry of Humberto Ak’ab’al |
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Rusty Barrett |
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| Mama's Girl: The Role of the Mother in The Accompanist: Text and Contexts |
Abstract
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Stephanie Chung |
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| The ideology of ideophones: Sound symbolism and cultural politics in the poetry of Humberto Ak’ab’al |
Abstract
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Rusty Barrett |
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| Happily Never After: The Meaning of Gender and the Search for Love in Two Short Stories by Tatyana Tolstaya |
Abstract
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Laurel Utterback |
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| Gender and the Vampire in Russian Culture |
Abstract
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Erin Collopy |
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| RUSSIAN REVOLUTIONARY WOMEN’S MOVEMENTS: FORMATION, PROGRESSION AND DEMISE, 1867 – 1881 |
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alexis zimberg |
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| “The Cheerful Science: Translating the Poetry of Maxim Amelin” |
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Anne Fisher, Derek Mong |
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| Nabokov’s Characters in Search for the Lost Identity |
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Irina Iakounina |
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| Vladimir Vysotsky’s Construction and Projection of Russian Masculinity |
Abstract
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Anthony James Qualin |
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German/Austrian/Swiss Studies
| Deviated Bodies and the Boundaries of Language: Repression in Marie Luise Fleisser's Fegefeuer in Ingolstadt |
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Marcella Livi |
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| Representations of the Haptic Body in Ernst Jünger's Prescriptive and Narrative Writing |
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Julia Denise Kleinheider |
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| “Ingeborg Bachmanns Malina: Das Ich ohne Gew(a)ehr“ |
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Mary Catherine Elizabeth Lawler |
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| Mere Repetition or subconscious Re-encounter? Friedrich Dürrenmatt’s "Stoffe" |
Abstract
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Olivia G. Gabor-Peirce |
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| Greening Heinrich: Eco-consciousness in the German Bildungsroman |
Abstract
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Christian Graf von Anderson |
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| „Disneyland in the Mountains: Robert Menasse’s Schubumkehr und Jean Baudrillard’s Simulacra and Simulation“ |
Abstract
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Jennifer Lynne Magro Algarotti |
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| Controlling the uncontrollable sea: Theodor Storm’s Der Schimmelreiter (1888) |
Abstract
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Ruth R. Kath |
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| E. T. A. Hoffmann’s Die Lebens-Ansichten des Katers Murr: an Ecocritical Approach |
Abstract
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|
Christopher R. Clason |
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| Felix Salten: Fünf Minuten Amerika; an Exploration of Nature, Technology, and Ecology |
Abstract
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Bartell Berg |
|
| “Serial Killers: An alternative approach to identity formation for Jewish-German authors after the Holocaust” |
Abstract
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Erick Urbaniak |
|
| America as Experience and Fiction: Louise Weil's Travelogue and Tales |
Abstract
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Judith E. Martin |
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| From Boring to Booming: DEFA Films, DEFA Fans, and the Conquest of Contemporary Germany |
Abstract
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Sebastian Heiduschke |
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| From Memorial Work to Memory Work in Contemporary Berlin: The Topography of Terror and the Memorial Site in Berlin-Hohenschönhausen |
Abstract
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Katrin Mascha |
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| The sporting nationalism of Turkish-German comedy |
Abstract
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Gavin Hicks |
|
| Becoming Prey – Animals as “Other” in Werner Herzog’s Grizzly Man |
Abstract
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Sabine Noellgen |
|
| Temporality and Identification in Fritz Lang's _Dr. Mabuse, der Spieler_ |
Abstract
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|
Brooke Shafar |
|
| The Narrative of Silence - Robert Musil's "Die Verwirrungen des Zögling Törless" and Volker Schlöndorff’s "Der Junge Törless" and the traumata of their times |
Abstract
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Annett Graefe |
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| Crocheting and Violence? Elfriede Jelinek's Stecken, Stab und Stangl |
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Kirsten E. Kumpf |
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| Written with a Stolen Dictionary: Imaginary Scripts and Theatrical Journeys in Yoko Tawada’s Schwager in Bordeaux |
Abstract
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Zvi Gilboa |
|
| The Ruins of Analysis: Reading Freud Reading Gradiva against a Contemporary Popular Lustmord Tale |
Abstract
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Jay Layne |
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| Becoming a Dancing Nature: The Animation of the Image in Arnold Fanck’s Der heilige Berg |
Abstract
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Janet Janzen |
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| The View from the Parking Lot: Political Landscapes and Natural Environments in the Works of Brigitta Kronauer and Jenny Erpenbeck. |
Abstract
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Maria Snyder |
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| Hans als Hauptgericht, Ali zum Dessert. Die neuen Fräuleinwunder der deutsch-türkischen Chick-Lit stellen sich vor |
Abstract
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Gabriele Eichmanns |
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| Corporeal Memory: Towards an Understanding of Pain, the Body and Memory in Ingeborg Bachmann’s Ein Ort für Zufälle |
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Alex Fulk |
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| A Genre of Transnationalism? - Transgressing Heimat and Genre |
Abstract
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Yvonne Franke |
|
| Narrating Nature’s Virginity in Adalbert Stifter’s “Der Hochwald” |
Abstract
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Eric Martin Scheufler |
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| From Power to Bare Life: Streeruwitz’s Novel Kreuzungen. |
Abstract
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Natalia Dudnik |
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| Heimat in Memory: The Burden of Being German in Uwe Timm’s Am Beispiel meines Bruders (2003) |
Abstract
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Marie Luise Buesch |
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| The King is Dead - Long Live the King |
Abstract
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Anne Peterson |
|
| Work or Leisure: Weimar Politics in "Menschen am Sonntag" |
Abstract
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Ervin Malakaj |
|
| Flânerie-Debate in German Speaking Context: Migrant Flâneuse |
Abstract
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Ekaterina Pirozhenko |
|
| Der Sadismus und Masochismus in Doeblins Erzählungen |
Abstract
|
|
Joseph Rockelmann |
|
| Evil without Borders - Internationalizing Friedrich Dürrenmatt’s Das Versprechen (1958) |
Abstract
|
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Julia Trumpold Stock |
|
| Colonial Consciousness and Exoticism in Young People’s Cinema of the German Weimar Republic |
Abstract
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|
Luke Springman |
|
| Austrian women in transit(ion): perception of global places and local spaces in Ingeborg Bachmann’s Drei Wege zum See (1972) and Elisabeth Reichart’s Die unsichtbare Fotografin (2008) |
Abstract
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Tessa Victoria Wegener |
|
| Positive or Negative Ayni or ‘Against or a part of Latin American |
Abstract
|
|
Paul Nissler |
|
| Cause and effect of Gender Stereotypes in Elsa Bernstein’s play Dämmerung (1893) |
Abstract
|
|
Nora N.A. Bruegmann |
|
| Locating Transculturality - German Jesuit Writings in North America |
Abstract
|
|
Alex Holznienkemper |
|
| Battling the Elements in _Faust II_ |
Abstract
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|
William H Carter |
|
| Punk im Vaterland: An Analysis of Punk in Germany |
Abstract
|
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Matthew James Sikarskie |
|
| Seeking Emptiness: Förster’s & Hertzka Colonial Travelogues |
Abstract
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|
Ulrich E Bach |
|
| Improved Nature: The English Landscape Garden in W.G. Sebald's Die Ringe des Saturn |
Abstract
|
|
Emily Erin Jones |
|
| The German Vampiress as Child Murderess. Ludwig Tieck’s “Liebeszauber,” Ernst Benjamin Salomo Raupach’s “Lasst die Todten ruhen” and Theodor Hildebrandt’s Der Vampir oder die Todtenbraut |
Abstract
|
|
Heide Crawford |
|
| Theodor Fritsch: Urban Planning and Anti-Semitism |
Abstract
|
|
Nadja D. Krämer |
|
| Teaching Ingeborg Bachmann's "Undine geht" in the college classroom |
Abstract
|
|
Julia Karen Baker |
|
| The Architectonics of Chiasmus in Thomas Bernhard’s Novel Auslöschung |
Abstract
|
|
Bohdan Bochan |
|
| Postmortem Poetry:On Parallels between Gottfried Benn’s Autopsy Reports and his Poetry |
Abstract
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Claudia Simone Schlee, Claudia Simone Schlee |
|
| “azurblau, karminrot und giftig grün” – The Toxic and the Sublime in W. G. Sebald’s Nach der Natur |
Abstract
|
|
Doris McGonagill |
|
| On the Role of Nature and the Environment in Bahnwärter Thiel |
Abstract
|
|
Jason Baumer |
|
| Water and Women on the Moon |
Abstract
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|
Tilman Heueis |
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| "Erschrocken leütt": The First Encounter and the Colonial Project in Federmann's Indianische Historia (1552) |
Abstract
|
|
Peter Hess |
|
| Der Animalismus und die Entwicklung der ökologisch orientierten Schreibweise |
Abstract
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|
Alexander E. Pichugin |
|
| Handke Answers Beckett: "Bis dass der Tag euch scheidet" & Other Works as Echo & Adaptation of Beckett's Acoustic Strategies |
Abstract
|
|
Les Caltvedt |
|
| Framing the Eisspiegel: German Filmic Representations of the (Ant)Arctic |
Abstract
|
|
Will Lehman |
|
| Walter Benjamin’s Gastronomic Illuminations |
Abstract
|
|
Cecilia Novero |
|
| Melancholy in Joseph Roth's "Hiob" |
Abstract
|
|
Darina Stamova |
|
| E. T. A. Hoffmann’s Die Lebens-Ansichten des Katers Murr: an Ecocritical Approach |
Abstract
|
|
Christopher R. Clason |
|
| On the Role of Nature and the Environment in Bahnwärter Thiel |
Abstract
|
|
Jason Baumer |
|
For any question about the KFLC Abstract Site contact:
Sarah Finley, Assistant Director, kflc@uky.edu